Shelley 시의 이상주의와 사랑 = Idealism and love in Shelley's poetry
저자
발행사항
대전 : 大田大學校, 2008
학위논문사항
학위논문(박사) -- 大田大學校 大學院 英語英文學科 英文學專攻 2008
발행연도
2008
작성언어
한국어
주제어
KDC
841 판사항(4)
DDC
821.7 판사항(21)
발행국(도시)
대전
형태사항
151 p. ; 26 cm
일반주기명
참고문헌: p. 145-147
소장기관
In this study of Percy Bysshe Shelley's poetry, I investigate and compare the reflections of two trends in literature, violent heresy and non-conformism as portrayed by Shelley and George Gordon Byron, Britain's most popular Romantic poet. I gained insight through Godwin's philosophy, Platonism and A Defence of Poetry written by Shelley. Beginning in his youth, Shelley "lived" in two different worlds. One is the world in which he really experienced pressure, cruelty and suffering. The other is a world of absolute definition, virtue and love - the latter being a manifestation of his imagination. The aesthetics of love is a dominant theme in Shelley's poetry and helps to provide a glimpse into Shelley's Ideal world.
We experience a struggle as we attempt to understand Shelley's poetic world. Shelley expresses his awareness of what is inside of us by utilizing various subjects and multiple methods of perception in dealing with nature. This style of writing creates a feeling of chaos within the reader, while also echoing reality, where every individual perceives nature in a unique way.
Shelley declared that poetry is the expression of the imagination. Also, he stated that love is the great secret of morality and the great instrument of moral good is the imagination. He believed that to love is to imagine, and that love is the instrument which can develop the ideal world.
Shelley, as a wanderer, lived a solitary life staying away from the world governed by traditional ways of thought. What he did not surrender was his way of struggling to create a world in which his ideas are realized, and he did that through his craft. Poetry turns all things to loveliness, so writing poetry also provided a means for him to love the world. While wandering without shelter, his body became exhausted and his spirit was deep in despair, suffering through solitude. In coping, he found shelter in several places.
The first of those shelters was nature. Nature was not only a subject of love for him but was like religion, giving him mysterious inspiration. So he flew the Thames up and down, visited forests and lakes, and lived by the sea of Pisa beach, Italy. His second shelter was in the heart of women. Women were his dual places of both Eros and Agape. There was Harriot, without whom he could not have written Queen Mab, and his enthusiasm for his ideal world stayed strong due to the presence of Mary in his life. Then there was Jane who was his ideal object of love. His third shelter of love was the paradise in his spirit. Through all these objects he could find rest, for he loved the intangible world of beauty.
It was through three types of love that Shelley approached the ideal world he desired: self love, human love, and an intellectual love of beauty. He was inspired by the spiritual power of the natural world and he deified it in his poetry, using it both as the object of love and in symbolic metaphor.
Along with other distinctions, Shelley was labelled poet, philosopher, social innovator, philanthropist, gender egalitarian, and the absolute. These were the names which others called him and they also reflect the person he wanted to be. He truly loved the person he was and through his imagination, he approached the world, engaged in love and became one with the whole universe.
Shelley's love toward mankind is displayed in two ways: love for women and love for a social community. His love for women was reflected in gender equality, and he valued Agape as a more idealistic love than Eros. We find Agape when reading his letters he wrote to no specific individual -[To―], with women in general being the greatest object of his love. His love of women coupled with a critical view of men and patriarchal society help explain why the queen and Iante are the main characters in Queen Mab. He viewed the dominance of masculinity in society as an explanation of why those in positions of power in the world were failing to create the ideal social community he envisioned.
Shelley's transcendental love is a love of intellectual beauty. We can feel his transcendental beauty in the lyrical verse of his love poems - how it can heal the human spirit, helping it to achieve the highest state a human can enjoy, possessing a beautiful intellect. Shelley believed that beauty lies in the identity of the world, and that God is present in everything of this world. Adding that beauty is God itself and that all things are beautiful and deserve to be thought of as spirits of beauty, he is a pantheist.
Shelley's poetry is not simply lyrics describing the beauty of nature being viewed. He, as a poet, saw the whole universe as a huge symbol or one system of several symbols, and he saw not only tangible things but also the state of things hidden.
The Spirit of Beauty which the poet adores is not surrealistic; it is a part of the world, not independent, and is what inspires the poet. Shelley thought of poets as having a god-like characteristic. He saw God as having created everything in the universe, and the poet as a person who has the ability to recreate the things which God created.
Shelley was concerned with aesthetics of love based on humanitarian, not rational philosophy. He saw purpose in his life's ordeal. He thought of the poet as a messenger who delivers justice and happiness to the human world and that is what he wanted to do. And he did, managing to purify the human spirit through poetry, in spite of having lived a comparatively short life as a poet. Shelley hoped to achieve a common understanding between people through his poetry that would lead to a just and beautiful world.
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