현대 중성사진과 기록의 미학 무의미의 파토스와 평범 미학을 위한 또 다른 객관성 = The Neutre Photography and the Aesthetique of the Recording in the Contemporary Art

제어번호 : 104924444

저자명 : 이경률

학술지명 : 현대사진영상학회논문집(The Society of Modern Photography & Video)

권호사항 : Vol.0 No.11 [2008]

발행처 : 현대사진영상학회(The Society of Modern Photography & Video)

자료유형 : 학술저널

수록면 : 7-29(23쪽)

언어 : Korean

발행년도 : 2008년

등재정보 : KCI등재후보

제공처 : 무료 KCI

  • 다국어 초록 (Multilingual Abstract)
    • As the neutral photo is not one image type or style, which is classified like reporting photo,

      application photo, concept photo, and illustrated photo in media for communication, but is a

      concept photo fundamentally that an artist utilizes documentarization in order to deliver own

      message, it is understood today as photoconceptualitsm in theorists' definition. This photo points

      not to a special case that was seen from the viewpoint of group, but points to the so-called anti-art

      while reproducing a daily thing that can be seen anytime and anywhere such as building, car,

      outskirts, apartment, square in a city, expressionless face, and secluded place in the street. As we

      see the objects, we discover the attachment to life and the truth in existence that each cannot be

      explained paradoxically at an antipode in the prejudice of judging immediately and in the

      standardized preconception, in architecture and place that are scattered anytime and anywhere,

      in the bleak city and empty land in outskirts, in carbon-copy face on the street, in the daily

      inquisitive thing, and in outdated object. As that is directly sadness in another strong impression,

      it is insignificant pathos.