디지털시대의 커뮤니케이션 환경변화가 무용예술에 미치는 영향 = Impact of Communication Environment Change in Digital Era on Dance
저자
발행사항
서울 : 경희대학교대학원, 2008
학위논문사항
학위논문(박사)-- 경희대학교 대학원 : 공연예술학과 무용학전공 2008. 8
발행연도
2008
작성언어
한국어
DDC
658.4 판사항(22)
발행국(도시)
서울
형태사항
138p. : 삽도 ; 26 cm
일반주기명
지도교수: 안병주
참고문헌 : p.119-133
소장기관
It is 1960s when media, science technology and information terminology was fully incorporated as art. This is the time art and science technology intersected actively and Herbert Marshall Mcluhan announced "Media is Message", media-centred thought in his book, "Understanding Media" in 1962 and caused controversy.
Therefore, this paper set critical mind on how the change of cyber environment in dance art influences communication channels, and how the relationship between work of dance and audience and their understanding process proceeds.
Dance art as performance art is based on audience. The audience in dance art is the independent factor which enables performance as well as objective factor accepting works of dance.
Transformation of digital technology in the late 20 century has totally changed relation with audience in the performance, and the possibility inherent in new web environment, artists and audiences has provided challenges beyond imagination.
The purpose of the paper is as below.
First, to consider the aspect of dance creation according to communication environment changed in digital era,
Second, to consider change structure in the objective aspect of audience in the relationship between dance artists and audience,
Third, to provide composition about change of educational aspect of dance,
Fourth, to provide diagnosis and the device influence of change of communication environment in digital era on dance market activation.
The methodology of the paper is as below.
First, I studied documents based on the study of media aesthetics related with environmental change of communication depending on environmental change of internet and the theoretical study on communication process which have studied path of production and reception of art.
Second, through this document study, I considered change of communication method according to social change as well as theoretical basis recognition about internet environment, also I studied theoretical concept about identity and method of online communication.
In order to analyze present condition of art environment depending on environmental change of internet, the research of the paper was conducted as below.
First, I analyzed the status that consumers participate in TV drama through internet environment.
Second, I analyzed the status that consumers participate in movies through internet communication.
Third, I analyzed various cases consumers participate in internet communication through these analyses.
Through this analysis, I deduced the relationship between dance and audience in the communication process in online.
First, I presented interaction and communication composition of dance and audience.
Second, I presented the level of understanding of each generation of dance artists on online communication.
Third, I presented characteristics that artists, critics and audiences could perform discussion process in community based on anonymity.
Based on these results, the paper presents future direction of dance in digital era as below.
First, I present how artist should proceed in the environmental change of creation through altered communication environment.
Second, I present criteria for dance interpretation and attitude of audience necessary for discussion and so on.
Third, I present required factors in artist attitude and creation education of art through environmental change of online communication.
Based on analysis of present condition about environmental change of online communication, the paper presents future direction of dance.
First, circular creation direction to induce artistic activities reflecting developed public code should be established.
Second, consumers need to have remove prejudice and exclusive communication and have positive attitudes participating active understanding.
Third, instructional design centred in dance enjoyer, activation of in-service training and co-writer participation in discussion are needed.
Fourth, systemic construction for activation of dance market, public relations for publicity and methodology to induce understanding are required.
Changed environments are needed in order to induce positive results that art in digital era proceed for future direction.
First, dance performers should approach audiences, that is consumers, in communication with open mind.
Second, dance performers need to have active understanding toward digital media.
Third, artists(producers) and audiences(consumers) need to meet in online environment in the online communication environment of digital era.
Fourth, audiences have to participate in affirmative and development- oriented dance communication through accurate understanding so that right dance communication in the digital era will be fostered.
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