純祖代 孝明世子 代聽時 呈才의 演行樣相 = Performing Aspect of Chŏngjae 呈才 during the Reign of King Sunjo.
저자
발행사항
서울 : 한국예술종합학교 전통예술원, 2004
학위논문사항
학위논문(예술전문사) -- 한국예술종합학교 전통예술원 , 한국예술학과 , 2004. 2
발행연도
2004
작성언어
한국어
KDC
685.105 판사항(4)
발행국(도시)
서울
형태사항
iii, 101p. ; 26cm
소장기관
The aim of this study is to investigate an aspect of chŏngjae 呈才, during the time when prince Hyomyŏng 孝明世子(1809-1830) was the right power of representation attorney in the reign of King Sunjo. And it reveals a history background. History of chŏngjae 呈才 in the reign of King Sunjo, it is very important time. Type and contents is various appears in this time. 17 repertory were succeeded in this time, and 23 repertory were created. So it is a point when the succession and change coexist.
The scope of this research is between 1827 and 1830, when Prince Hyomyŏng 孝明世子(1809-1830) is the right power of representation attorney. This study is based upon such source materials a government official document called Muja chinjak ŭigwe 『戊子進爵儀軌』(1828) and Kich'uk chinch'an ŭigwe 『己丑進饌儀軌』(1829). Chŏngjae 呈才 is synthetic performing art, so it composed of a center element dance, the words of a song known as ch'angsa 唱詞, and incidental music it will together research. Chŏngjae was not only the court performence but also the local governmental performence. But this research is restricted a scope, only in the court performence.
Chapter Ⅱ is composed two section, it examined the summary of time background. In the first section was examined the time background of politics, economy and culture. Politically it was endeavored, sovereign power strengthen. Economically it was difficult in flood and misfortune. Culturally the ceremony and music policy were important and it was propelled. Will chŏngjae create from probably like this connection.
In the second section examined was a court banquet during which Prince Hyomyŏng is the right power of representation attorney. Strong sovereign power from hazard it prepared the court banquet. The court banquet of this time came to do three times. In 1827, the court banquet was prepared with commemoration of eulogistic posthumous title of King and Queen. But chŏngjae was not performenced. In 1828, the court banquet was prepared with commemoration of congratulat, the Queens 40 years old. In 1829, the banquet was prepared with commemoration of congratulat, the Kings 40 years old and 30 years come accede to the throne. Chŏngjae of 40 repertory was performed from two court banquets. Chŏngjae was created by political measures of government.
Chapter Ⅲ is composed three section, it examined from the viewpoint of succession and change of chŏngjae integral part. In the first section was examined ch'angsa 唱詞. Succession position of chŏngjae ch'angsa, the political contents was accomplishing the center is the thing. Renovation position of chŏngjae ch'angsa, the political contents becomes internalized and the lyrical contents was introduced is the thing. Ch'angsa of mugo 舞鼓, abak 牙拍, Kainjŏn moktan 佳人剪牧丹, and Posangmu 寶相舞 are the evidences.
In the second section examined was dance composition of chŏngjae. Succession position of dance composition, the frame of existing dance was maintained almost like that. There is temporary fluctuation where the chukkanja 竹竿子 disappears from Suyŏnjang 壽延長 and Pogurak 抛毬樂, but features of origin it returned again. From renovation position of dance composition, most will pay attention the fact that was appearance of solo dance, for example Ch'unaengjŏn 春鶯囀 and Musanhyang 舞山香.
In the third section was examined incidental music of chŏngjae. There was an accompaniment name which is various in chŏngjae one.
Until now from the viewpoint of succession and change, it tried to observe the aspect which chŏngjae is various. The feature of at this time variety chŏngjae is able to summarize, as coexistence.
The aim of this study is to investigate an aspect of ch?ngjae 呈才, during the time when prince Hyomy?ng 孝明世子(1800-1830) was the right power of representation attorney in the reign of King Sunjo. And it reveals a history background. History of ch?ngjae 呈才 in the reign of King Sunjo, it is very important time. Type and contents is various appears in this time. 17 repertory were succeeded in this time, and 23 repertory were created. So it is a point when the succession and change coexist.
The scope of this research is between 1827 and 1830, when Prince Hyomy?ng 孝明世子(1800-1830) is the right power of representation attorney. This study is based upon such source materials a government official docwnent called Muja chinjak uˇigwe 『戊子進爵儀軌』(1828) and Kich'uk chinch'an uˇigwe 『己丑進撰儀軌(1829). Ch?ngjae 呈才 is synthetic performing art, so it composed of a center element dance, the words of a song known as ch'angsa 唱詞, and incidental music it will together research. Ch?ngjae was not only the court performence but also the local governmental performence. But this research is restricted a scope, only in the court performence.
Chapter Ⅱ is composed two section, it examined the summary of time background. In the first section was examined the time background of politics, economy and culture. Politically it was endeavored, sovereign power strengthen. Economically it was difficult in flood and misfortune. Culturally the ceremony and music policy were important and it was propelled. Will ch?gjae create from probably like this connection.
In the second section examined was a court banquet during which Prince Hyomy?ng is the right power of representation attorney. Strong sovereign power from hazard it prepared the court banquet. The court banquet of this time came to do three times. In 1827, the court banquet was prepared with commemoration of eulogistic posthumous title of King and Queen. But ch?ngjae was not performenced. In 1828, the court banquet was prepared with commemoration of congratulat, the Queens 40 years old. In 1829, the banquet was prepared with commemoration of congratulat, the Kings 40 years old and 30 years come accede to the throne. Ch?ngjae of 40 repertory was performed from two court banquets. Ch?ngjae was created by political measures of government.
Chapter Ⅲ is composed three section, it examined from the viewpoint of succession and change of ch?ngjae integral part. In the first section was examined ch'angsa 唱詞. Succession position of ch?ngjae ch'angsa, the political contents was accomplishing the center is the thing. Renovation position of ch?ngjae ch'angsa, the political contents becomes internalized and the lyrical contents was introduced is the thing. Ch'angsa of mugo 舞鼓, abak 牙拍, Kainj?n moktan 佳人剪牧丹, and Posangmu 寶相舞 are the evidences.
In the second section examined was dance composition of ch?ngjae. Succession position of dance composition, the frame of existing dance was maintained almost like that. There is temporary fluctuation where the chukknnja 竹竿子 disappears from Suy?njang 壽延長 and Pogurak 抛毬樂, but features of origin it returned again. From renovation position of dance composition, most will pay attention the fact that was appearance of solo dance, for example Ch'unaengj?n 春鶯轉 and Musanhyang 舞山香.
In the third section was examined incidental music of ch?ngjae. There was an accompaniment name which is various in ch?ngjae one.
Until now from the viewpoint of succession and change, it tried to observe the aspect which ch?ngjae is various. The feature of at this time variety ch?gjae is able to summarize, as coexistence.
서지정보 내보내기(Export)
닫기소장기관 정보
닫기권호소장정보
닫기오류접수
닫기오류 접수 확인
닫기음성서비스 신청
닫기음성서비스 신청 확인
닫기이용약관
닫기학술연구정보서비스 이용약관 (2017년 1월 1일 ~ 현재 적용)
| 주요 개정내역 | 변경 사유 |
|---|---|
| · 개인정보 처리 목적, 항목 및 법적 근거 수정 · 본인대상정보전송요구권 행사 방법 안내 · 개인정보 보호수준 평가 결과 추가 |
|
한국교육학술정보원은 정보주체의 자유와 권리 보호를 위해 「개인정보 보호법」 및 관계 법령이 정한 바를 준수하여, 적법하게 개인정보를 처리하고 안전하게 관리하고 있습니다. 이에 「개인정보 보호법」 제30조에 따라 정보주체에게 개인정보 처리에 관한 절차 및 기준을 안내하고, 이와 관련한 고충을 신속하고 원활하게 처리할 수 있도록 하기 위하여 다음과 같이 개인정보 처리방침을 수립·공개합니다.
목 차
제1조(개인정보의 처리 목적)
제2조(개인정보의 처리 및 보유 기간)
제3조(처리하는 개인정보의 항목)
제4조(개인정보파일 등록 현황)
제5조(개인정보의 제3자 제공)
제6조(개인정보 처리업무의 위탁)
제7조(개인정보의 파기 절차 및 방법)
제8조(정보주체와 법정대리인의 권리·의무 및 그 행사 방법)
제9조(개인정보의 안전성 확보조치)
제10조(개인정보 자동 수집 장치의 설치·운영 및 거부)
제11조(개인정보 보호책임자)
제12조(개인정보의 열람청구를 접수·처리하는 부서)
제13조(정보주체의 권익침해에 대한 구제방법)
제14조(추가적 이용·제공 판단기준)
제15조(개인정보 보호수준 평가 결과)
제16조(개인정보 처리방침의 변경)
제1조(개인정보의 처리 목적)
제2조(개인정보의 처리 및 보유 기간)
5년
(「전자상거래 등에서의 소비자보호에 관한3년
(「전자상거래 등에서의 소비자보호에 관한
제3조(처리하는 개인정보의 항목)
제4조(개인정보파일 등록 현황)
개인정보파일 검색(privacy.go.kr)| 개인정보파일의 명칭 | 수집·이용 근거 | 수집·이용 목적 | 수집·이용 항목 | 보유·이용기간 |
|---|---|---|---|---|
| [학술연구정보 서비스 이용자 가입정보] |
「개인정보 보호법」 제15조 제1항 제4호(계약 이행) |
회원 서비스 운영 |
ID, 비밀번호, 이름, 생년월일, 신분(직업구분), 이메일, 소속분야, 보호자 성명(어린이회원), 보호자 이메일(어린이회원) |
회원탈퇴시 까지 |
| 「전자상거래 등에서의 소비자보호에 관한 법률」 제6조 및 같은 법 시행령 제6조 |
주문 및 결제 처리 |
ID, 비밀번호, 이름, 주소 |
5년 |
제5조(개인정보의 제3자 제공)
제6조(개인정보 처리업무의 위탁)
제7조(개인정보의 파기 절차 및 방법)
제8조(정보주체와 법정대리인의 권리·의무 및 그 행사 방법)
제9조(개인정보의 안전성 확보조치)
제10조(개인정보 자동 수집 장치의 설치·운영 및 거부)
제11조(개인정보 보호책임자)
| 구분 | 담당자 | 연락처 |
|---|---|---|
| KERIS 개인정보 보호책임자 | 정보보호본부 안재호 |
- 이메일 : jinuk@keris.or.kr - 전화번호 : 053-714-0158 - 팩스번호 : 053-714-0195 |
| KERIS 개인정보 보호담당자 | 개인정보보호부 송진욱 | |
| RISS 개인정보 보호책임자 | 교육학술데이터본부 정광훈 |
- 이메일 : giltizen@keris.or.kr - 전화번호 : 053-714-0149 - 팩스번호 : 053-714-0194 |
| RISS 개인정보 보호담당자 | 학술진흥부 길원진 |
제12조(개인정보의 열람청구를 접수·처리하는 부서)
제13조(정보주체의 권익침해에 대한 구제방법)
제14조(추가적인 이용ㆍ제공 판단기준)
제15조(개인정보 보호수준 평가 결과)
제16조(개인정보 처리방침의 변경)
자동로그아웃 안내
닫기인증오류 안내
닫기귀하께서는 휴면계정 전환 후 1년동안 회원정보 수집 및 이용에 대한
재동의를 하지 않으신 관계로 개인정보가 삭제되었습니다.
(참조 : RISS 이용약관 및 개인정보처리방침)
신규회원으로 가입하여 이용 부탁 드리며, 추가 문의는 고객센터로 연락 바랍니다.
- 기존 아이디 재사용 불가
휴면계정 안내
RISS는 [표준개인정보 보호지침]에 따라 2년을 주기로 개인정보 수집·이용에 관하여 (재)동의를 받고 있으며, (재)동의를 하지 않을 경우, 휴면계정으로 전환됩니다.
(※ 휴면계정은 원문이용 및 복사/대출 서비스를 이용할 수 없습니다.)
휴면계정으로 전환된 후 1년간 회원정보 수집·이용에 대한 재동의를 하지 않을 경우, RISS에서 자동탈퇴 및 개인정보가 삭제처리 됩니다.
고객센터 1599-3122
ARS번호+1번(회원가입 및 정보수정)