『三國遺事』 義解 「良志使錫」條를 통해 본 良志의 작품과 활동 시기

다국어 초록 (Multilingual Abstract)

This thesis analyzes the contents of the article of ‘YangJisasuk(良志使錫)’ in ‘Uhae(義解)’ of ‘Samgukyusa(三國遺事)’ and the character of existing works by YangJi, his day etc. The idiom of YanJi is said to be the style of the countries bordering on Western China until now. An analysis of his idiom shows clearly the characteristics of the countries bordering on Western China. But, This has been already at works by Goguryeo, Baekje or at that time rather than YangJi only new characters. His work reflects the style of India which was the new trend at around 650. The work by YangJi also show the patterns and characters that were popular in Baekje and Goguryeo.
That is YangJi’s works show varies the style of the early years of unification and international style at that time. YangJi has been interpreted to be already acted during the reign of Queen Sunduk by article of ‘YangJisasuk(良志使錫)’ in ‘Samgukyusa(三國遺事)’. and same article in recorded that many people carried dirt and sing Poongyo(風謠) when YangJi made statue of Buddha at Youngmyo temple during the reign of Queen Sunduk. These contents convenced YangJi to act during the reign of Queen Sunduk. but, the Pungyo(風謠) for good deeds and the action of carrying dirt are related to statue of Buddha, ‘Sunupni’ at China around 650. Also, Fires many borke out at Youngmyo temple during King Munmu. and This would have required a hage restoration and repair operation. So, the writer estimates YangJi remade the statue of Buddha at Youngmyo temple during King Munmu not during Queen Sunduk. Furthermore, the article of ‘YangJisasuk(良志使錫)’ in ‘Samgukyusa(三國遺事)’ is said that Yangji acted during Queen Sunduk. the writer thought that YangJi’s ancestor acted during Queen Sunduk not YangJi and the ancestor is his father. Compared with other article in ‘Uhae(義解)’ of ‘Samgukyusa(三國遺事)’, this part are comprised of ancestor of Buddhist monk or their father.