유배가사 연구 = (A) study on the exile Gasa

다국어 초록 (Multilingual Abstract)

I researched the category of Exile Gasa from the work who were really exiled and write them within the exact form of Gasa deserted by king. They wrote as form of Gasa even if they were not exiled actually.
The works are twelve. They could be from 〈Manbunga〉 by Jowi to 〈Chaewhanjajugga〉 by Chaguyeon. Most of Exile Gasa are subgroup of Gasa, so they are regarded as Exile Gasa to have the same identities of normal Gasa. But if they were studied, they are really different from writers, the age of writing, space, content, formation.
The article was focused on the very different and various appearance of Gasa. For this, I covered the items of materials by form, emotion, the character of literature.
If they were made short:
1. Exile Gasa was written in 〈Manbunga〉 by Jowi they were written a lot among political partisan 〈Chaewhanjajugga〉 by Chaguyeon. They were written for 350 years from early 16 c to late 19c.
2. When they were covered in part of their lives and jobs. Lee Bang Eek who wrote 〈Hongliga〉 was underling army. Ahdowon who wrote 〈Maneonseo〉 as shameless middle who pilfered the sign of king.
But except these two, most of them were high class persons who were involved in political partisan. The content were blaming the painful exile life The blaming of enemy and love for King. But 〈Pukchanga〉 and 〈Hongliga〉 covered piety to their parents. The other work 〈Bukcheonga〉 was covering the love with Gisaeng and tasteful life with music.
3.The elements of formation Exile Gasa were being guilty, innocence, getting acquittal, homeward. By being guilty, they wrote the reasons of exile and exile area. They were divided by land exile and island exile. Island exile was regarded very severe. The works which we can't know the passage of exile were 〈Manbunga〉 〈Samiingok〉 〈Sokmiingok〉 〈Pyeolsamiingok〉 〈Geumgangjungyongdoga〉 and the other seven works show the passage of exile exactly.
Specially 〈Pukchanga〉 is free from exile because of innocence and return to the state of freedom. They are coming back with innocence.
4. The contents of five kinds of Gasa were for king, encouraging study, critical for present situation, and tasteful life of ease and humor. Looking up kinds Exile Gasa is showing the love to king and uwant to coming back the state of as they were 〈Manbunga〉 〈Samiingok〉 〈Sokmiingok〉 〈Pyeolsamiingok〉 〈Soksamiingok〉. Encourging study is 〈Geumgangjungyongdoga〉, regretting the lavishness of young life and recommend to read and study..
The present critics can be the conflict from present to they were criticizing the paradox of reality of exile
Tasteful and ease life Exile Gasa were for good treatment and having good time with Gisang and music. 〈Pukcheonga〉 can be this. Self-blaming Exile Gasa could be 〈Maneonsa〉. It was for suffering by cold shoulder of area people.
5. From heaven to earth-two space system is love for king. The work for early age were fictional and express the heart of writers
But the latter age of Gasa was written in real area name and showing passage. And the expression of real experience was written very serial way. The writer was exile But 〈Buggwangeuk〉 was written by grandson of grandfather. Most of Exile Gasa was written during exile life. But 〈Pukcheonga〉 was re-written by asking of house wives
6. The literatural point of Exile Gasa were by Sadaebu who were in ease and decency life showing buresque, humoristic life style. In early age the Gasa was for showing their minds by form of Gasa of lovers. However in 17c and 18c by effect of Experimentism, they were covering real life as they were Exile was existed in this world in China also they was isolated from society. When we consider the work of 〈Silheaga〉 and Korea period. Exile was existed for a long time. In Chosun Dyansty 〈Manbunga〉 was the foundation of loving King and they were developed from 〈Samiingok〉 〈Somiingok〉 of Cheongcheol and they were continued to 〈Pyeolsamiingok〉.
The readers of Gasa were from king to Sadaebu. But later the readers were normal person and house wives. Exile Gasa are the part of exile literature. They should be Exile Gasa with novel, Chinese letter literature, Sicho, and Chinese letter poem.
We should study every kinds of literature works together so we can distinguish the difference of our Exile Gasa and other countries.

목차 (Table of Contents)

• 목차
• Ⅰ. 서론 = 1
• 1. 연구 목적 = 1
• 2. 연구사 = 3
• 3. 연구 방법 = 10
• Ⅱ. 유배가사의 개념과 자료개관 = 12
• 1. 유배가사의 개념과 범위 = 12
• 2. 자료 개관 = 18
• Ⅲ. 유배가사의 구성 = 56
• 1. 유배가사의 구성 요소 = 56
• 2. 유배가사의 구성 요소 변이상 = 97
• Ⅳ. 유배가사의 유형 = 103
• 1. 연구형 유배가사 = 105
• 2. 권학형 유배가사 = 118
• 3. 현실비판형 유배가사 = 122
• 4. 취락형 유배가사 = 128
• 5. 자탄형 유배가사 = 137
• Ⅴ. 유배가사의 문학적 특성 = 142
• 1. 천상과 지상 = 143
• 2. 자작과 대작 = 148
• 3. 허구와 사실 = 151
• 4. 유배 중과 해배 후 = 156
• Ⅵ. 유배가사의 문학사적 의의 = 162
• 1. 사실적 표현 추구 = 162
• 2. 유통의 확대 = 164
• Ⅶ. 결론 = 168
• 參考文獻 = 174
• 영문초록 = 184