黃梅泉時論硏究 : 讀國朝諸家詩를 中心으로 = A Study on Hwang-Hyon's Non-Si-Jol-Ku(論時絶句)
저자
박금규 (사범대학 한문교육과)
발행기관
학술지명
권호사항
발행연도
1996
작성언어
Korean
KDC
040.000
자료형태
학술저널
수록면
51-145(95쪽)
제공처
소장기관
In this study I made effort to understand comprehensively 'Tok kwuk chekasi'(讀國朝諸家詩)written by May-chen(梅泉), Whose name was Hwang-hyen(黃玹), who killed himself honorably with his four stanza Chel Myeng Si(絶命詩) on the kyeng Swul National Humiliation Day in the fourth of Yung Huy, which fell on the twenty-ninth of August in 1910.
One of the greatest poets in the period of Choson Dinasty, Hwang-Hyon, Mae-chon, he showed his talent by revealing. The materials for writing in his head as things he wanted to forget through the theory on chinese poems, and ten pieces of poem of Chong Yon II Taek Ki chil chol sib sa su Eu Ki Wun Hi Jak Lon si Jab chol I sa, and is to his evaluated poems on Korean Literary poems on.
Through a through study of the Poem, I tried to combine the poetic historical events of grand Poets in Korea since Ko Wun(孤雲), to understand the underlying currents of Korean People's emotions for the Possibility the traditional contact between the old literature and the modern literature in order to serve the world literature through the national literature with deep research for the fountain-head of the Eastern Study.
In the end, my Purpose lies in linking the numerous inherited books, which are
crystallized minds of out ancestors, with modern poetry.
May-chen was not one of ordinary reculse poets who would sing in the breeze and
enjoy the moon, but an everlasting national thinker, who lamented over the regrettalbe time, and loved his country and his people.
His words and behaviors, his life, his frendship, thousands of his verses, and some hundredlines, of hos writings are full of the urging and forbidding of the faithful and the wicked in the old and new history books, and of the agony and joy on the time, and of the yearning for warm heart.
He remarked on tfe chinese poets in chronicle from six-dynasties to Myong and
dynasty and the poetry of all the poets in his country.
In the introduction I observed May-chen's genealogy and his life which were the
foundation for the understanding of such great Poetic thinking, and then reserached for his inheriting by means of surveying the course of the establishment of May-chen's thought and fellowship between his companions and him.
When he became indignant at the successive serious situation of both internal worries and fears of foreign invation in the gloomy national affairs after the two great revolutions in Im-O(壬午) and kap-sin(甲申), he reprimanded the Present wicked and nation....selling officials be means of writing 'May-chen Ya Lock'(梅泉野錄) in his distinguished style, which was called 'May-chen Pil Ha Mu Chen In'(梅泉筆下無全人) that means 'noone can be completed under the May-chen's pen.'
As he indulged in So Dong-Pa and YUK Mu-Kwan's style in making a poem, he
rejected the poems of Dong's period, and he prefered DoPo's melancholy instead of Lee Bark's open-minded heart.
He evaluated patriaotic poems much higher than those of nature for the felt his
patriatism into a spornful of rice, and he had a differant view in appreciating the poems between him and his friend, Wang so-chon and different from Jong II-Taek's, too.
As the title shows here, this brief writing is not Mae-chon's regular Literary theory but a mere writing for amusement and poems written according to the rhyms. so the figures I mentioned here are restricted and the works I dealt with are only a part, too.
Mr. May-chen tried to escapes from korea to china following his friend, Chang-gang, Kim Teak-young, but finding out it was impossible he retierd into 'Paek wun Tong'(白雲洞) at the foot of Mount chiri-san(智異山). After he named his living room 'Ku An Sil'(苟安室), he made a ten-face screen on which he wrote 'Sip Chel Do' poem(十節圖詩) May-bok(梅福) since the Han Dynasty. He set up the sor.... around him, which were called 'Hyo Hyo Pyeng(屛), and he sat and lay day in and day out in the midst of the thousands of books, and lamented over the situations of the time bitterly.
When those who were famous for learning and highranking in office sent some letters to him, utging that he should return to Seoul and work with them, May-chen flatly refused their proposal, saying 'Why do you try to make me a mad goblin like you? May-chen was so strict in his character that he assosiated with few scholars and patriots. Therefore, he had few friends except Yi Lyeng-che, Kim, Changgang, Song Yen-che, Chei Myen-arm, Yi Hae-hak and Chung Mu-cheng, and he followed such chinese scholars as So Sik, Yuk yu, Hu Bang-yek and Wi Hwi.
In the contenes of May-chen's Poems in the fourth chapter, I studied May-chen's
Poems which were the late out of New Fout Scholars collections since 'Ko Wun'(孤雲), the beginner, and then I reserached four verse of 'Chel Myeng Si'(絶命詩) and the forty patriotic poems.
In the discussion on 'Kwuk Cho Che Ka Si'(國朝諸家詩) in the fifth chapter I centered my attention on seeking the original current of a criticism to Chinese poetry, and develpoed the history of criticism in Korea and China. Taht is to say, I studied May-chen's Poems and concluded in relation to the historical Poetic criticism.
In the end I attached fourteen stanza Poem ; Lon Si Jab Chel'(論詩雜節) and 'Hwa So Chen Lon Si Yuk Chel'(和小川論詩六節) to the last part of the Paper, but I did not study these Poems in detail, but I regarded them as a guide to the last pat of this paper, but I did nit Study these Poems in detail, but I regarded them as a guide to the detailed study in the future.
May-chen's keen eye could analyze the fourteen model Poets in the Yi Dynasty like a sharp knife and showed the boundaries of their Poems. He proceeded, with the result that he classified the orders in the Korean Poetic history clearly and poignantly and sharply without any Prejudice. I found that the fourteen verses of this 'Tok Kwuk Cho Che Ka Si(讀國朝諸家詩) occupied an important Places in the Korean Poetic history.
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