신경윤리 관점으로 본 여성시의 촉각 = The tactile sense of women s poetry in terms of neuroethics

다국어 초록 (Multilingual Abstract)

This study examined tactile images shown in the poems written by female poets since the 1980s from the perspective of neuroethics. As the combination of neurophysiology and ethics, neuroethics identifies the relationship between the nervous system and the mind. In sensory terms, neurophysiology falls under the category of tactile sense. In view of this, masochistic and sadistic tactile images that have appeared in female poets’ poems since the 1980s are noteworthy. These differ from the tactile images that represented maternal intimacy or the ethics of love that responded to discourses on male dominance before the 1980s. In terms of presupposing the emotions that are formed between “me” and “others”, the tactile sense is highly likely to express the consciousness and psychopathology of women who have lived as “the sexual other”. The first neuroethical aspect of the reviewed poems appears as “physical integration identity disorder” in which women struggle with the desire to continuously remove a portion of their bodies. This disorder is shown as a tactile aspect of inflicting masochistic pain on the mother’s body, which is based on the psychology to compensate for the pain caused by feminine realities using the tactile system. The second neuroethical aspect of these poems is exhibited as “body dysmorphic disorder” that occurs due to discordance between psychological and physical existences. This disorder is portrayed as a tactile aspect of creating the penis or multiple false existences. This implies that the root of pain is men, and at the same, reflects women’s ambivalent desire that envies masculine independence. The third neuroethical aspect of these poems is exhibited as “post traumatic stress disorder” in which psychological traumas cause repeated stress. This disorder appears as a tactile aspect of “the neuroethics of memory” in which traumas are recalled whenever having similar experiences or emotional mechanization, and this aspect indicates how lethargic women can become due to psychological trauma. The fourth neuroethical aspect of these poems is shown as “obsessive-compulsive spectrum disorders” which deceive the nervous system using alternative substances. This disorder appears as a tactile aspect of deceiving the nervous system with drugs, which signifies that the loss of “free will” can impoverish women’s psychological and physical existences. As the findings of this study shows, the tactile images viewed from the perspective of neuroethics connote the psychopathology of women who have lived as the non-subject of our society whose subject has been men. In the reviewed poems, women’s psychological and physical existences that had thus far been formed within the manly order can be better understood through their tactile aspects. The results of this study have a different implication from the conventional evaluation of tactile sensation as a political language that attacks men using a lower-level sense or slangs. Moreover, in terms of poetic consciousness, the study’s results are also significant in terms that the exclusive characteristic consciousness of the tactile sense is distinguished from that of the other senses.

목차 (Table of Contents)

• 1. 서론 2. 촉각 이미지에 나타난 신경윤리 양상과 의미 1) 고통주관성의 신체통합성장애 2) 자기기만의 신체이형장애 3) 정서적 기계화의 외상 후 스트레스 장애 4) 자기통제상실의 강박장애 스펙트럼 질환 3. 결론

참고문헌 (Reference)

• 1 르네 지라르, "희생양" 민음사 1998
• 2 이길우, "현상학의 감정윤리학" 한국현상학회 8 : 143-168, 1996
• 3 정진경, "현대시에 나타난 촉각 이미지 연구" 우리어문학회 (61) : 171-201, 2018
• 4 김남이, "촉각의 현상학과 이리가레의 여성주체성" 도서출판 억이년 31 : 118-138, 2014
• 5 루돌프슈타이너, "초감각적 세계인식" 물병자리 2006
• 6 장대익, "철학과 현실" 철학문화연구소 131-151, 2008
• 7 주형일, "직관의 사회학, 나의 사회학 그리고 현상학적 방법" 한국언론학회 4 (4): 77-113, 2008
• 8 메를로 퐁티, "지각의 현상학" 문학과지성사 2002
• 9 여태천, "정지용 시어의 감각과 주체의 욕망" 한국어국제학술 포럼 6 : 69-84, 2004
• 10 데릭 홀, "인간의 몸" 에코 2007
• 11 알베르트 수스만, "영혼을 깨우는 12감각" 섬돌 2007
• 12 아리스토텔레스, "영혼에 관하여" 궁리출판 2010
• 13 죠르주 바타이유, "에로티시즘" 민음사 2008
• 14 닐레비, "신경윤리학이란 무엇인가" 바다출판사 2011
• 15 에드문트 후설, "순수현상학과 현상학적 철학의 이념들 1-3" 한길사 2009
• 16 이연주, "속죄양, 유다" 세계사 1993
• 17 미나토 지히로, "생각하는 피부-촉각문화론" 논형 2014
• 18 서안나, "백석 시에 나타난 감각에 관한 연구 - 촉각을 中心으로" 한국시학회 (42) : 151-176, 2015
• 19 김언희, "뜻밖의 대답" 민음사 2005
• 20 김혜순, "당신의 첫" 문학과지성사 2008
• 21 김혜순, "달력 공장 공장장님 보세요" 문학과지성사 2000
• 22 박한라, "김경주 시에 나타난 감각 운용 연구" 한민족어문학회 (78) : 345-364, 2017
• 23 리타 펠스키, "근대성의 젠더" 자음과모음 2010
• 24 김정란, "그 여자 입구에서 가만히 뒤돌아보네" ㈜도서출판 세계사 1997
• 25 함돈균, "권태의 섹슈얼리티, 불모성의 시 쓰기" 천년의시작 16 (16): 76-91, 2007
• 26 다이낸 애커먼, "감각의 박물관" 작가정신 2004
• 27 최은아, "감각의 문화사 연구 - 촉각" 한국카프카학회 (19) : 159-188, 2008
• 28 한수영, "감각과 풍경 ―백석 시에 나타난 감각의 특징" 현대문학이론학회 (47) : 371-391, 2011