神話的 同一性과 原型的 同一性의 獲得 : 處容說話의 詩的 變容(金春洙의 「處用…」詩의 경우) 李相和의 辯證法的 想像力(「나의 寢室로」를 중심으로) = Attaintment Mythological and Archetypal Identity

다국어 초록 (Multilingual Abstract)

Kim, Choon Soo wrote poems in which he contrasted himsef to a mythological character, Chu Yong, of "the Story of Chu Yong" in Sam Kuk Yoo Sa, and made them a basis of perseverance. In order words, he tested his perseverance through his intuition on things in many ways in order to reach the ultimate truth reflected in the story of ChuYong. His poems which directly describe Chu Yong are "Chu Yong." "Sleeping Chu Yong", "Chu Yong Chapter III", "Chu Yong Short Chapter Part I", "Chu Yong Short Chapter Part II, " etc. and these the ones relevant to the given context,
Such a comparison between myth and poem was an attempt to view differect forms of Synomymity on the basis of the law of nature. He opened a Chapter of the birth of a new life at the sea by internaliging the sea of Chu Yong into himself.
His life, imbued with a dark historical environment and a violent youth period, became to recover purity with an expression of his childhood in relation with Chu Yong. This emplies on aesthetic consciousness of a poet. Such an analysis of him was possible by linking all the allegories of poems, essays and myths, even though he precisely hid his meanings and intentions underneath.
A well known poet, Lee, Sang Wha, demonstrated a dialectical imagination, in all of his own poems, which leads to resurrection (③) by bring up the act of strong lave (②) like death in the power of darkness (①), and this fact is clearly manitested in every poem enough to put it in a diagram. The power of darkness is symobolically expresed in the wards such as darkness, night, separation, death, cave and reality of colony, the act of strong love like death, in the words such as sickness, storm, crying, labor, life of walk, and the vision of resurrection is symbolized in the words of lavtern, sun beam, brightnes, lover and spring.
The vision of resurrection forms the vision of human solidarity beyond the phenomenon of nature. But the Chapter of resurrection has never be opened. It leas very difficult to overcome the reality of colony.

목차 (Table of Contents)

• Ⅰ.序
• Ⅱ.處容說話의 詩的 變容
• 1.金春洙의 〈바다〉와 處容의 바다
• 2.金春洙의 〈純潔〉과 處容의 純潔
• 3.드러난 美的 構造
• Ⅲ.李相和의 辨證法的 想像力
• 1.「나의 寢室로」의 原型 分析
• 2.辯證法的 合一의 獲得