경상남도 연극제 축제성(祝祭性) 실현에 관한 연구
저자
발행사항
진주 : 경상대학교 대학원, 2015
학위논문사항
학위논문(석사)-- 경상대학교 대학원 : 문화콘텐츠학과(협동) 문화콘텐츠 2015. 2
발행연도
2015
작성언어
한국어
주제어
발행국(도시)
경상남도
기타서명
Gyeongsangnamdo Theatre Festival Realization Study
형태사항
ⅶ, 43 p. : 삽화 ; 27 cm
소장기관
Among various performing arts festivals in Gyeongnam, one of the representative festivals is Gyeong-nam Theatre Festival. Gyeong-nam Theatre Festival was established for the purpose for local theatrical people to overcome the spirit of amateurism and concentrate on creation, and to revitalize the local performing arts that has been under-served compared to performing arts in capital area. Beginning from 1983, Gyeong-nam Theatre Festival celebrated its 31st anniversary in 2013, and now it is a time-honoured theatre festival. However, Gyeong-nam Theatre Festival is undergoing a number of difficulties.
The first problem is regarding the characteristic of festival. Gyeong-nam Theatre Festival claims to support ‘the competition form of theatre festival in freedom.’ Yet, the twofold goal as ‘festival’ and ‘competition’ conflicts. A festival should be both communicative and enjoyable between audiences and performers, but Gyeong-nam Theatre Festival keeps presenting performances while audiences and performers are not connected to each other due to its identity as a competition.
The second matter is in regard to budget. Every year Gyeong-nam Theatre Festival takes place in various regions. This is because they rely on mostly city or county’s funds. Local governments mind investing to Gyeong-nam Theatre Festival due to its big estimate budge. so the festival has had a problem to find a new venue every year and turned unstable.
The third question is about performance period. Gyeong-nam Theatre Festival selects and presents its several performances to Korea Theatre Festival which occurs in June, so the festival itself takes place from late March to early April. The problems is that a regular general meeting, board meeting, settlement of accounts, etc. begin from January. This means that the festival can begin to produce a play from the late January, and it is a pressure that the works should be completed in one or two months.
The last issue is concerning the method of performance. Gyeong-nam Theatre Festival introduces only one performance of a theatre company a day to provide a variety of performances throughout the festival, but presenting a new performance every single day is physically very demanding.
In spite of those difficulties mentioned above, Gyeong-nam Theatre Festival has been contributing a lot to the local community over 32 years. They offered a place that a number of works can be created and communicated with the audiences through the festival. As a result, Gyeong-nam Theatre Festival received a Presidential prize five times in a row in Korea Theatre Festival and also could deliver local stories to the whole country. In this situation Gyeongnam’s theatrical people created a local theatre festival conducted not by a government, but by the public.
However, Gyeong-nam Theatre Festival is not recognized of its value unfortunately. It is being recognized only as a ‘local preliminary contest’ to reach the nationwide theatre festival. Therefore, I will look back Gyeong-nam Theatre Festival’s accomplishments and improvements to recover its own value that has been continued over 32 years.
This study will analyze the history and general status of Gyeong-nam Theatre Festival and organize the accomplishments. With the case of most recent 31st Gyeong-nam Theatre Festival, this study will take a look of current operation and organization of the festival and point out the problems. Centered around a play, some excellent cases from the preceded theses and bibliographies that have the similar goal and intention point were also considered and utilized to find the way to realize the festivity of a performing arts festival. As examining and analyzing the Gyeong-nam Theatre Festival’s capability of continuity, a few plans can be found out as follows.
First, ‘Outreach theatre festival’ should be run. Due to the problem of going by cities and counties to hold the festival every year, Gyeong-nam Theatre Festival could not continue the festival in a certainly fixed venue. However, it is possible to overcome the difficulty with the advantage of outreach.
Second, local stories should be dramatized. Once the festival venue is determined, a symbolic story of the local community should be discovered and dramatized, so that the community and the festival can band together. Then the local residents are also able to understand their own local identity, and a globalization of regionality can be realized.
Third, composition of organization should be reformed. The steering committee and the executive committee of Gyeong-nam Theatre Festival is composed of only theatrical participants, so the environment to make a theatre-focused festival is not well constructed. Thus, Gyeong-nam Theatre Festival needs to organize a permanent festival executive office including a planning expert and appoint an artistic director like Avignon Festival.
Fourth, the competition should be transformed and other peripheral events should be expanded. To avoid a single format of competition, the festival should dispatch juries to the venues where each theatre company performs and select a few works that can reach to the final round of the nationwide theatre festival in advance like a tour evaluation instead of judging the works at the festival. For those that are not selected, there still should be stages for them to be performed all over the festival venue, so that they can elevate the festive mood.
Fifth, there should be a program that local residents can participate in. The festival should not just imitate a civil theatre festival which local people just watch, but it should rather be a place where the audiences can also take an active role in the festival.
Sixth, trials to build a festivity through continuous evaluation should be conducted.
The new plans suggested in this study are the elements that can be considered enough to play a part of festival operation; thus, via those measures I expect that Gyeong-nam Theatre Festival to grow and turn to be the representative performing arts festival out of many local performing arts festival.
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