‘글로벌 르네상스’? : 사학사적 검토 = ‘The Global Renaissance’? : A Historiographical Review

국문 초록 (Abstract)

본고는 21세기 초반 서양 르네상스 학계의 동향을 사학사적 차원에서 검토하면서, 이른바 ‘글로벌 전회’로 갈음되는 학문 세계의 지적 경향 아래 르네상스가 새롭게 해석되는 역사학적⋅이념적 좌표를확인하려는 시도이다. 브로턴과 구디의 연구들이 보여주듯이, 최근글로벌한 맥락에서 르네상스를 살펴보기 시작하면서, 이슬람을 비롯한 비-유럽 세계가 르네상스에 끼친 영향이나 전통적인 르네상스 논의에 담긴 제국주의적 성격에 대한 우리의 이해가 확대되었다. 본고는 이런 최근의 경향을 르네상스를 유라시아 세계의 어느 지역이나시기에서도 나타날 수 있는 보편적인 현상으로 해석하는 구디 모델과 동일한 문화유산을 공유한 이슬람과 유럽 사이의 문화적 교류의결과로 간주하는 브로턴 모델로 명명하고, 각각의 입장을 비판적으로검토한다. 그리고 결론적으로 최근의 글로벌 르네상스 논의가 문화교류를 일차원적 차원에서 비교하는 데 그치거나, 특정한 역사경험을 보편적인 사건으로 환원하면서 르네상스를 탈-역사화한다고 비판하면서, 글로벌 시대에 유럽 르네상스를 역사적 지평 위에서 해석하는 새로운 대안을 제시한다.

다국어 초록 (Multilingual Abstract)

This paper is an attempt to review the trends in Western Renaissance academia in the early 21st century from a historiographical viewpoint and to identify the historical and ideological coordinates through which the Renaissance is newly interpreted under the recent scholarly influence, the so-called ‘global turn’. As Jerry Brotton and Jack Goody show, having begun to examine the Renaissance in a global context, our understanding of the influence of the non-European world upon the Renaissance and the imperialistic attribute hidden in the traditional view of the Renaissance has expanded. In particular, this paper categorizes this tendency interpreting the Renaissance in a global context into two models: the first, the Goody Model, which considers the Renaissance a universal phenomenon appearing in any region or period of the Eurasian world; the second, the Brotton Model, which interprets it as the result of cultural exchanges between two worlds, Islam and Europe, sharing the same cultural heritage. By critically examining these two models as either stopping at comparing cultural exchanges on a primary level or reducing specific historical experience such as the Renaissance to an universal event, this paper suggests an alternative interpreting the European Renaissance on the historical horizon in the global era.

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