符號學視角下秦觀《滿庭芳》的意象符號解讀 = A Study on the Imagery Symbols of Qin Guan's < Mantingfang > Ci from the Perspective of Semiotics

다국어 초록 (Multilingual Abstract)

Northern Song Dynasty lyricist Qin Guan is revered as a master of Wan Yue Ci School（婉約派）. Previous studies on Qin Guan and his Ci-poetry are not few, but they are mainly focused on Qin Guan's life character and Qin Guan's artistic characteristics, techniques and artistic conception. I think that through the thorough understanding and analysis of text itself to find the literary nature of text can expand the scope of the interpretation of the work. Ｗe need to go deep into Ci-poetry to explore the rich meaning of the work scientifically and rationally. And by reconstructing the language symbol system of Ci-poetry We can realize the objective interpretation of Ci-poetry． This requires the application of the theory of semiotics. “Mantingfang” is representative of Qin Guan's Ci-poetry. This paper selects Qin Guan's “Mantingfang”, with a semiotic perspective as a starting point to make a tentative analysis on it, in order to provide a new perspective for the interpretation of Qin Guan's Ci-poetry.
Using the theory of semiotics, this paper first analyzes the connotation level of image symbols in “Mantingfang” ci, They are linked together to make the text have aesthetic characteristics of delicate, elegant, amorous, graceful and restrained beauty, with sensitivity and plaintiveness in feelings. At the same time, the inner feelings of the poet are externalized and released.
Then space construction, mode of combination and overall structure of the image symbol of “Mantingfang” ci were analyzed. And We found it brings to “Mantingfang” ci a vivid picture. At the same time, the whole work is made to form a radiation type to overall structure. That is, the inner emotion as the core, it is externalized by the combination of a series of external image symbol. External image symbol described at great length in front of the work provides the specific context to express inner feelings for the following. And in the last part, external poetic imagery depicted by the external image symbol is used as a knot. It echoes the emotional expression of the front and extends the ci poetic imagery(詞境) of whole Ci-poetry.
This paper uses the theory of semiotics, enter “Mantingfang” ci text inside, on which the image symbol's connotation and combination features were analyzed. And found that under the combined action of selection and combination, these image symbols were reconstructed and reorganized, forming great emotional tension and stimulating readers' emotional experience. Thus it leave the reader with an endless aftertaste.