한국 전통연희 중 징춤의 예술성 고찰 = A Study on the Artistry of Jing Dance in Korean Traditional Performing Arts

다국어 초록 (Multilingual Abstract)

The vicissitudes of Korean dance are among the primitive art practiced in the midst of the fear nature has on humans and the life for survival. The concept of worship in nature and shamanistic acts, the power of spirits, have been introduced in the form of "gut," which is the origin of dance today.Hyundai is presenting various performing arts and meeting with audiences in a unique format, and has developed into our own traditional performances. These various kinds of performances were developed into performing arts such as mask dance, exorcism and pansori through the combination of the polar literature department, and were transferred to the most Korean Yeonhui representing the spiritual culture of the Korean people. Among the performing arts, Sangjig nori, Buknori, Jingnori, Seoljanggo nori, and Sogo Nori, which are the representative pans of Namsadang Nori, have important meanings as modern cultural contents. However, among these, Jingnori is a reality that is locally limited and sustained by a small number of masters, and the interest in Jing-dancing is even weaker, and there is little paper and literature material that has been studied on it. The author, who is a master of Namsadangnori, understood the meaning of gong dance and set his original purpose on the thought and artistry inherent in gong dance. Jing-dancing has philosophical and aesthetic artistic characteristics, and the artistic value inherent in Kang Hyang-ran's Jing-dancing expresses Han, Sorrow, and Loneliness as excitement and divinity in dance moves that are not colorful but dynamic and rough. Therefore, in this study, the artistic value of Jing-dancing is described as follows in order to promote the interest of Jing-dancing as a valuable asset of traditional culture and to carry on the pulse of traditional preservation. First, in performing arts, they interact with each other through impromptu communication with performers and audiences.Second, the sound of gongs in Jing dance is more of a formative concept of philosophical and aesthetic artistic healing.Third, understanding and caring as a means of communication by interaction has the educational value of character formation.Keywords: Traditional performance, Jing dance, Pungmul Nori, Performing arts Pangood.


Keywords : Traditional performance, Jing dance, Pungmul Nori, Performing arts, Pangood

참고문헌 (Reference)

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