蘇軾對李滉詩歌的影響研究 = A Study on the Influence of Su Shi on Yi Hwang's Poetry

다국어 초록 (Multilingual Abstract)

Yi Hwang wrote more than 2,000 Chinese poems in his lifetime, showing his outstanding poetic talent. The formation of this poetic talent was influenced by the great poets of many dynasties in China, including the considerable influence of Su Shi. At least 14 poems of 12 titles in Yi Hwang's life have used the rhyme of Sushi's poems, among which it is clearly pointed out in 12 poems of 10 titles that the rhyme is from Su Shi’s poems. There are four ways to use the rhyme of Su Shi's poems, that is, one poem uses the rhyme of one poem, many poems use the rhyme of more than one poem, one poem uses the rhyme of more than one poem, many poems use the rhyme of one poem. Based on these four patterns, this paper interprets and analyzes Yi Hwang’s 12 poems which using the rhyme of Su Shi’s poems, and analyzes Yi Hwang's inheritance and breakthrough of Su Shi's poems.
Yi Hwang's earliest poems that using the rhyme of Su Shi’s poems were when he was forty-four years old, and lasted about ten years until he was fifty-four years old. And Su Shi's corresponding creation period starts from the age of thirty-six until he was fifty-eight. Among the four rhyme using forms, the number of poems of many-to-many and many-to-single the largest, accounting for two-thirds of all rhyme using works. In terms of genre, Yi Hwang was deeply influenced by Su Shi's Lüshi, especially the seven-character Pailü, and he himself is better at writing the seven-character Pailü. The themes of these 12 poems include plum blossoms, moonlit nights, river walks, apricot blossoms, snow scenes, and tall buildings, of which apricot blossoms are the most used. In the process of writing poems, plum blossom poems and snow poems imitated the most in terms of structure and content, while river walks poems imitated in a moderate way. This trend is inversely proportional to Yi Hwang's age, which shows that Yi Hwang gradually walked out of a flexible and independent path under the influence of Su Shi's poetry, and reached a harmonious and unobstructed state in the later period. In terms of emotions in these 12 poems, Yi Hwang went through the process of realizing that he wanted to retire due to illness while he was successful in officialdom, while Sushi's loneliness during his demotion and his desire to return to the imperial government occupied the majority.

다국어 초록 (Multilingual Abstract)

李滉平生的漢詩作品兩千餘首，顯示了其卓越的詩才。此詩才的形成受到了中國歷代大詩人的影響、其中就包括了蘇軾相當大的影響。李滉平生的和蘇詩至少有12題14首、之中明顯地在詩題中點明是用了蘇詩之韻的顯性和韻詩為10題12首、主要呈現為單首對單首、多首對多首、單首對多首、多首對單首的和韻方式。本文以這四種和韻方式為基礎對12首和蘇詩進行釋義、分析，剖析了李滉在作詩的手法上對蘇軾之詩的繼承和突破。 李滉一生中最早開始和韻蘇軾的詩是在他四十四歲之際、持續了十年左右、直到五十四歲。而蘇軾被和的作品創作期則是從他三十六歲開始、直到五十八歲。在四種和韻形式中、多首對多首、多首對單首的作品數量最多、佔全部和韻之作的三分之二。從體裁來看、李滉受蘇軾律詩影響深刻、尤其是七言排律、而且他自己也更為擅長作七言排律。和韻詩的題材包括了梅花、月夜、溪行、杏花、雪景、高樓、其中被運用最多的就是杏花這一題材。在行詩的過程中、梅花詩和雪詩在結構和內容上模仿得最多、溪行之詩模仿得折中、樓詩、中秋月夜詩再次之、杏花詩則最少。這個趨勢恰好是隨著李滉年齡的增長而呈現的反比、說明李滉在蘇軾詩歌的影響下逐漸走出了靈活自主的道路、到後期達到圓融無礙的境地。就和韻詩中所體現的情感而言、李滉經歷了官場得意中的憂患意識到因病體而不斷想要歸隱的過程、蘇軾則是在貶謫中寂寞煩憂、思歸朝廷之心佔了多數。

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