조선(朝鮮) 전기(前期) 창작(創作)된 당악(唐樂) 형식(形式)의 향악(鄕樂) 몽김척(夢金尺)의 성격(性格)과 전승(傳承) 양상(樣相) = Characteristics and the way to hand down the Hyang-awk, Monggeumchuk created in late Josun

다국어 초록 (Multilingual Abstract)

Mong geum-chuck, created in early Chosun, is Dang-awk in Jung-jae style. This Jung-jae is originated from the folklore of Tae-jo about the Geum-chuck given by one poet in the dream and is used to justify the foundation of Chosun dynasty and to hold the authority. Mong-geum -chuck has some differences with other Jung-jaes.
The most distinctive characteristic is that it is used in the beginning of the Royal ceremony. This is because Jung-jae has national ceremonial trait announcing the justification of Chosun and applauding king's both military and literary achievement like Suborog.
One of the other characteristics of Mong-geum-chuck is that it has Dang-awk Style even though this Jung-jae is made in Chosun. It is because the general characteristic of the pieces following the Dang-awk is not for entertainment and athletic but for giving the authority and justice. It is the common trait represented not only in Mong geum-chuck but also in other similar characteristic Jung-jae created at that time. The reason why most pieces created in early Chosun followed Dang-awk style is that this artistic creation is based on the political intention.
Lastly, though Mong geum-chuck is the piece giving the justification of nation, the text included in Mong geum-chuck conflicts with rationalism in the middle Chosun. Especially, Mong geum-chuck was at the crucial moment when the votary of the Sungrihack gained power and called it silly entertainmet. But after strengthening the authority in Young-jo and Jung-jo period, Mong geum-chuck is aggressively used to announce the power and justice of Chosun. Specially in Jung-jo period, the folklore of Mong geum-chuck became one of questions for Sadebu's test.
Considered from the criteria mentioned above, it can be approached relying on the academic view however, on the other wise, it can also be explained that there was Mong geum-chuck as well as other Junng-jaes between the conflicts of theocracy and royal powers. It infers that each Jung-jaes has their own powerful political symbolism.