자장커의 <세계>에 나타난 복제 현실의 재고 = Reconsidering Simulated Reality in Jia Zhangke’s The World

다국어 초록 (Multilingual Abstract)

This article starts with examining the previous studies that insist on seeing a critique of postmodern “simulation” in Jia Zhangke’s The World. It intends specifically to investigate how much the theory of simulation propounded by Jean Baudrillard in diagnosing the emerging postmodern media world can account for the problems of post-socialist Chinese society captured in Jia’s cinema. The main argument of this paper is that the significance of the World Park in Jia’s movie reaches further than a simple mirroring or replicating of the forgeries and inauthentic human experiences rampant outside of the theme park. It brings into focus the role of the theme park as an ideological state apparatus designed to interpellate a specific class of Chinese society into a loyal, obedient social group. This paper also brings to the fore the issue of social mobility and prosperity which the rapid modernization of neoliberal China promised to its people but of which only certain classes turned out to be the beneficiaries. The conclusion of this paper is that The World takes issue with the modern ills of neoliberal China, not its postmodern problems, and also that it narrativizes the virtual incarceration of the deprived migrant workers through mobilizing a variety of tropes and subtle camerawork.

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