해금가락Ⅰ의 선율분석 : 선율구조와 조성을 중심으로 = Research of a duet ‘Haegum Melody Ⅰ

다국어 초록 (Multilingual Abstract)

Since Western style creation music activity is begun in 1930 in of our country, a lot of creation musics have been played. When see from performance activity tendency of such national classical music, study about creation music will say that need. Hereupon, analyzed Haegum(Korean fiddle) duet "Haegum MelodyⅠ" of LEE KUN YONG song-writing.
Tone that come out in Haegum melody is 35, and is showing musical range of 2 octaves as <d'> ~ <e'''b>. Ajaeng(bowed seven-stringed instrument) melody is 1/3 of Haegum melody by 10. Musical range is about one octave by <D>~<bb>. Because can not extract tonality in Haegum melody, can know tonality of musical piece through melody of Ajaeng. Because it refered to that composer is "Used tunes and modulation that do not appear at existent tune. Ajaeng attract long continuant sound, and Haegum makes incidental melody that shake constantly as departs in this the central tune and comes back and does." in work explanation I do melody of Ajaeng by main analysis subject.
I do based on difference of Ajaeng and rest part of Haegum and whole musical piece 4~21 measure the first end of a paragraph, 25~39 measure the second end of a paragraph, 42~67 measure the third end of a paragraph, 73~115 measure is the fourth paragraph, 120~149 measure divided into the fifth end of a paragraph. Ajaeng melody of these five parts has a common that is showing musical range of each one octave as see in <Ticket 1>.
For Ajaeng melody, the first paragraph <G, d, g>, the second paragraph <Bb, f, bb>, the third paragraph is <Bb, eb, f, bb>, and the fourth paragraph is <G, Bb, c, d, g>, and the fifth paragraph is <G, Bb, c, d, g>, and have musical range of all one octave. Tone formation of each paragraph proceeds by 1 or 2 paragraph 2 tone scale, 3, 5 paragraphs 3 tone scale, the fourth paragraph 4 tone scale and is showing unique tone structure. Tone structure of the fourth paragraph is similar with Gyemyeonjo of Korean traditional music the third paragraph is equal with 3 tone Gyemyeonjo
Composer divides work into 5 end of a paragraphs and try modulation that can not see in our country traditional music because uses 2 tone scale, 3 tone scale, 4 tone scale. But, part is based on Gyemyeonjo of our country traditional music.
Melody that play only Ajaeng fill the role of bridge to connect each orther melody.