納曾利 퍼즐조각 찾기－나소리 무대도구의 의미에 관하여－

다국어 초록 (Multilingual Abstract)

This research is animated by a curiosity about ancient Korean dance features. Ch’ŏyongmu
is the only Korean court dance transmitted from the ancient period. Through investigating
it, we may define more properly its features. Owing to the ethereal nature of performing,
it is most important to look for a comparable dance. When we look at the Japanese court,
the majority of Korean dances from the ancient period still exist today. These dances can
serve as a model of comparison in order to better understand Korean dances. Therefore,
when we are able to sketch an outline of the transmission of Ch’ŏyongmu while also
investigating the relationship between court dances from each of these two countries, i.e. by
showing the origin of some Japanese dances to find a comparable dance, we can shed light
on the features of ancient Korean dance.
Ch’ŏyongmu has changed according to the demands of the times, as its character adapted
to the dominant forces of the time, such as Korean shamanism in Silla, Buddhism in Koryŏ
and Confucianism in Chosŏn. On the other hand, Nasori, that is, a blue dragon dance, is
an important starting point. The movement is reminiscent of Ch’ŏyongmu. When we
compare both dances, we can discernancient Korean forms and features. In this respect, it
is dissimilar to tōgaku, although it is of note that the origins and the meanings of a
majority of the komagaku repertoire in Japan remain obscure and Nasori is no exception to
this observation.
The inquiry of Nasori, offers the ‘Korean flute’, ‘Dragon’ and ‘Wave’as symbols of the
dance, inferred through the existence of a Korean tale, The Flute That Calms Raging Waves
which is linked to Ch’ŏyongmu. It shows ancient Korean and Japanese court dances as being linked inseparably; hence, to find the meaning of Japanese court dances, the research of
Korean dances is essential and indeed visa versa.

참고문헌 (Reference)

• 1 岩田, "神樂. in: 歷史民俗學論集 1" 名著出版 173-185, 1990