KCI등재
Jane Austen 硏究 = A study on Jane Austen
저자
朴熙鎭 (Park, hee-Jin)
발행기관
서울大學校人文大學(Seoul National University Institute of Humanities)
학술지명
권호사항
발행연도
1979
작성언어
Korean
KDC
001.3
등재정보
KCI등재
자료형태
학술저널
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25-40(16쪽)
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Jane Austen wrote most of her novels when Wordsworth was emphasizing the value and dignity of ordinary experiences and simple language in poetry. She was the very novelist that was aware that a novelist's duty is not to demonstrate a certain theory, nor to evoke the stereotyped emotional responses mechanically.
She was born a daughter of a country clergyman and remained in the country all her life. Consequently her scope of knowledge is limited. She compared her work to a 2-inch-square ivory and this comparison is a proper one. The surface of the ivory was really small, but the sculptor who worked on it is one of the greatest artists. Even today one needs professional literary training in order to appreciate her excellent merits properly, for one cannot grasp the thing beyond the surface without special training.
Already at 15, in her Love and Friendship, Austen showed how she was well aware of the folly of the sentimental novels. All through her life she saw through the absurdity, contradicitons and vain modifications which were prevalent in the novels of that period. She managed to avoid these defects with care. This fact can be said to be a revolution of the concept of the novelist's duty.
Miss Austen wrote the following six novels: Northanger Abbey(1797∼1803∼1816), Sense and Sensibility(1797∼1811), Pride and Prejudice(1796∼1812), and Mansfield Park(1811∼1813), Emma(1814∼1815), and Persuasion(1815∼1816). The material dealt in the works is small in scope. But if we consider how she dealt with the material artistically, we are not to be disappointed. From the viewpoint of plot, these novels can be said trivial, whereas the dramatic truth and the vivid characterization are almost equal to Shakespeare's.
Austen limited the scope of her works on purpose. She united the tradtion of poetic satire and sentimental novel in her works. She revealed in her works her interest in man and his actions as a dramatist. She intended to reveal her character by his or her words and actions. Analyzing the satire and various emotions, we come to perceive how dramatic Austen's characters' conversations are. By `dramatic,' we mean that the author does not describe the character directly but let him or her reveal himself or herself.
Austen's satire depends on her sense of the character's mutability and complexity. But her vision is not proust's relative one. Her sense of the mutabitity is full of vigor and well balanced by her positive belief in man. Trivial conversations are constantly illuminated by her excellent sense and her firm belief in the possibility that she can pass a sound judgment.
Jane Austen analyzes man, a civilized monster, in her novels. As one critic pointed out, we can notice "controlled hatred" in her attitude of the analysis. In other words we are shown that man clothed in grand constumes do so many unreasonable things. Through the analyses of these absurd behaviors, sensitive individuals are revealed to struggle with various social conditions delicately and laboriously.
Austen was satisfied with the fact that she was only a novelist, nothing less or more. That is to say, she let the story stand on its own. She did not seek to justify the novel with grand themes and extravagant ethics.
Austen's balance, economy and self-control in her art made her perform the task of unifying all the materials of the work marvellously. Her detachment is closely related to her balance. Keeping artistic distance lets her describe her characters more realistically. Thus she tried to let the readers see for themselves. In shis respect, she is one of the pioneers of modern novelists. Actually we do not go too far when we say that the so called James's"Mutual Irradiation" method is a highly developed form of Austen's technique.
All in all, Jane Austen is the writer who let us see the profound feelings beyond the surface.
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