한국 전통 문양의 상징성에 관한 고찰 : 문양의 시각 이미지 중심으로 = Study about korean traditional design's significance : Centered on the visual image of design
저자
발행사항
광주 : 조선대학교 대학원, 2002
학위논문사항
학위논문(석사)-- 조선대학교 대학원: 산업디자인학과 2002. 8
발행연도
2002
작성언어
한국어
주제어
KDC
658.5 판사항(4)
DDC
745.4 판사항(21)
발행국(도시)
광주
형태사항
74p. : 삽도 ; 26cm
일반주기명
참고문헌: p. 73-74
소장기관
The birth and the progression of design, when a people, nation were founded regionally, is constructed by the signification as a cognition of beauty about the view of life, image which is formed with a folk belief's idea or religious idealism.
In this thesis, we'll try to discover the ideas of our Korean people, examining the significance of Korean design.
The objects were selectded, as Geometrical design, Bechunenin design and Sasindo design, Sipjangsaeng design, Danchung.
Especially geometrical design is presented on the constructions which can show our people's native, ideas, and the designs of Bechunsenin and Sasindo can show well the ideas of shamanism, taoism, buddhism which reflect our korean particular feelings.
So we'll try to make clear the formations, progressions, analysis of contents, formative preculalities, and idea of this each design in the middle of organic connections.
In the first chapter, the ideas and significance of design, we emphasize to study our korean specular ideas, through examining the design's meaning which was presented in our old remains, as bronze mirror, precious sword and small bell, etc.
In these designs, we found our own idea's meanings, as SungTong KwangMyung, Jaeseyihwa, Hongikinkan.
In the second chapter, the study of Bechnsenin, it is important that we have our own design which was developed in korean's characteristic religion and ideas, although there were certain influences like chines taoism, buddhism.
The korean design's shape and significance have originally the mental flow of our racial religion and idea, which is different from the Chinese realistic decorative art, this design can be helpful in understanding the emotion, the way of thought and esfhetic consciousness of our ancestor. The study of Sasindo, we clarified that Sasindo design is our own design, unlike the colonizational view of history of Japan which has insisted the influence of china.
Sasindo design can be connected with a creative myth in the idea of chunbookyung, the meaning of derection's ghosts.
And in a connection with the astronomical at that time, this design is the expression of our racial, idea.
Sipjangsaeng design are one of the figurers that we has universally used.
As a more representative Korean figure than any other one, Sipjangsaeng design have been used from the ancient times, and the fact that they can be found only in Korea, not in China or Japan seems to have such a profound meaning as our traditional faith, religion and myth.
Sipjangsaeng design, in other words, were developed from the circumstances of folk faith, has symbolic meanings and shows the comprehensive conception. It is possible to find out that the symbolic aspect was from the shamanism, taoism, the thought of the cosmic dual forces and five ascetic exercises, and animism.
Danchung design was designed to have feelings of visual pleasure as well as to get a symbolic meaning from people.
The figure of paintings are ornamented with different things in accordance with the craved part of that figure.
It is said that the painting, the typical design of traditional ornaments, shows to be pertinently mingled with folk faith and five kinds of ascetic exercises.
When it comes to the study of concrete, abstract figures and both of them. concrete figures classified animals, plants, and sought to get those meaning We can find out the origin of abstract figures from the striped earthenwares of the Neolithic Age, and there is a wide difference in the shape itself.
The concrete & abstract figures sought to examined the things that these figures are properly harmonized with other things.
The mental sphere of one race is influenced by climate, religion, and social, historical surrounding, etc.
The cultural peculiarity is almost connected with the consciousness of culture, doctrine, view of value, view of beauty, esthetic sympathy and nostalgia in a time.
In this thesis, through examining our Korean design's formation, progression and significance. we can ohserve the traditional consciousness of beauty which has flown from our old age to now.
The study of formation, progression, origine, development of each design come to pass in a certain degree, but the study of each design's ideas is insufficiont.
Although there are some studies of ideas, they are submitted to the influences of chines ideas until now.
Therefore we must study moreover about korean design's significance and ideas.
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