KCI등재
1945 - 1950 기 한국 신무용사 연구
저자
김근희 (대한무용학회 회원)
발행기관
학술지명
권호사항
발행연도
1980
작성언어
Korean
KDC
685.000
등재정보
KCI등재
자료형태
학술저널
발행기관 URL
수록면
47-97(51쪽)
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It is assumed that the problems facing the ballet circles in our country today resulted from not period of beginning 1926 when New Ballet was pioneered taut rather from the chactic period immediately after Liberation in 1945.
This article was devoted to prove historically the above hypothesis.
Today's problems are summarized as follows;
1. Unproper intervention by criticism into the creature activities of ballet.
2. Mistaken historical view resulted from distorted view of value.
3. Malicious competetions displayed in ballet circles
4. Chronic tendency to imitate and easy-going manner at performance.
5. Decrease in number of lover of ballet
This article assumed that during the period from August
1945 to June 1950, some factors existed to bring on the problems.
Meanwhile, in this historical research, I divided the period into two parts; the first period August 1954 to December 1946, the second Jannuary 1947 to June 1950.
The reason for dividing the period into two parts is in that in the first period the activities of ballet showed the upward trend in the sides of quantity as well as in number of related population while in the second period, the downward curve.
However, the first period, abundant in quantity, was not almost different from the second period from the view point of quality of arts, and so I gave up to adopt the quality side as a basis in dividing the period while I selected the quantity and human side as the basis.
I prescribed the first period as chaotic and the second as astray because the first period was so chaotic that they lost their bearings and during the second period they were wandering.
I tried to induce tlne charracteristic of each period by analyzing the aspects disclosed during the period tracing the original factors which caused today's problems.
It is a commonplace that a critcism should be creative, for criticism is to appraise and analyze in the internal side of ballet the meanings of theme, logic or rationalization of inter-pretation at today's situation, the plot deploying the theme, the composition both of space and time, the techniqur to expresss and momentum of the technique and so on, and furthermore the criticism is to catch up the difference between the will to create and the meaning expressed prescribing the overall artistic value of the works and presenting the direction for the future.
However, today's critic makes it a rule to judge the suneriority or inferiority of works by means of existing his own idea or with an instantaneous impression at the performance that is, criticism to judge or so--called impression criticism.
T think it is a tradegy when one entrusts himself bewilderingly with such critic.
This tradegy is supposedly ascribed to the idle ease and atrophy prevailing in the circle of ballet today.
The idle easy phenomenon is supposed to result from the un unactive replacement while atrophy, the remarkable gab between the desire and reality by which activities of ballet are not guaranteed. Thus, these lead to the decline in number of ballet population in the longrun.
To my regret, all the assumptions above-mentioned thus far proved to be right through the historical observation in the article. In conclusion, T insist that the following proposals will be instructive. First educational side.
1. Establishment of college of ballet
2. Establishment of research institution for the study of basic sceince.
3. Employment of ballet library
4. Specialization of teacher of ballet
5. Ballet to be included in the general curriculum
6. To dispatch trainee oversea by government expense.
7. Reconsideration of the authorization and administraction standard of private ballet rearch institution
8. Establishment of national ballet school
Second artistic side
1. Dual employment system of national ballet corps
2. Organization of municipal ballet corps
3. Construction of the ballet theater
4. Raising the found for creative activities
5. Establishment of hank for ballet and lending the fund required for performances
6. Strengthening the ballet association
7. Invitation of oversea ballet corps
8. To dispatch the leading artists oversea on inspection tour and to assist financially
Third institutional side
1. Exemption from business tax against private ballet research institution
2. Exemption from entrance tax
3. Exemption or reduction from military service for male ballerina
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