촉감을 활용한 체험 공간의 구조에 관한 연구 = A Study on the Structure of Haptic Experiential Space

다국어 초록 (Multilingual Abstract)

(Background and purpose) Non-visual senses have not been noticed more than visual thinking in disciplines. However, non-visual senses should be emphasized as central to human life and communication. Among them, the tactile sense is the primal sense of humans at birth; it is the crucial sense that extends all senses, including vision. Recently, active research regarding the “haptic sense” has been conducted based on tactile experiences. Accordingly, spatial strategies based on experiences that induce direct contact with objects to fulfill various human tastes and needs are prominent. Thus, this study intends to identify and typify haptic experiential spaces. (Method) The first focus of this research was a review of the skin’s characteristics and roles to summarize the concept of the haptic sense, given that haptic perception is typically based on membranes. The next focus was on identifying and classifying three main qualities of the haptic sense based on theoretical investigations and discourses: tactile perception, effective temperature, and visual hapticity. The characters of haptic experiential space were typified into three, and three attributes of each of these were derived; thus, there were nine attributes ultimately identified: touching experience (memory, perception, reaction); temporal experience (past, moment, imagery); and possessive experience (trust, naffection, pleasure). With the analysis model founded on the haptic qualities and types of experiences described above, case studies of exhibition spaces have been conducted since 2000 to examine the complex experiences associated with various media. (Results) By comprehensive investigation, all cases showed complex experiences of two or more of the haptic qualities classified above. It should be noted that higher frequencies of such experiences occurred with effective temperatures and visual hapticity, which are probably less direct qualities of the haptic sense than the tactile experience. The experiences through the former two qualities went beyond simply feeling and judging the textures of objects through direct skin contact toward enabling experiences in virtual space, rather than in the past or present reality. (Conclusions) As the roles of the haptic sense go beyond simple judgments to sensuous thinking and imagination, many experiential spaces that reflect such changes tend to emerge. The advent of various media became an important means for them, playing the crucial role of preparing the experiential field in which humans can interact with space. The significance of this study is in providing the grounds to review the elements and direction of future research on haptic experiential space.

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