韓國近代詩에 나타난 佛敎的 影響에 關한 硏究
저자
발행사항
대전: 충남대학교, 1974
학위논문사항
학위논문(석사)-- 충남대학교 대학원 1974
발행연도
1974
작성언어
한국어
주제어
KDC
228
발행국(도시)
충청남도
형태사항
97p.; 26cm
소장기관
This study attempts to understand the spiritual background of Korean modern poetry to analyze and interpret it with the application of implied virtue of Buddhist imagination and metaphor.
There is pluralistic essence in various kinds of similes involved in the Sutra as much as in modern poetry, and the expression-aesthetics and spiritual level of the Sutra considerably influenced poetry.
There has been a great tendency for the spiritual base of Korean poetry to he closely related to Buddhistic thinking and theme-consciousness influenced by traditional causes along with the changing process of time and society.
It can't be said that Buddhist thinking in ancient Korea has been regarded as a sort of tradition in Korea. Yet it profoundly influenced the pattern of characteristic Korean thought.
Hyang-ga, mixed with Buddhist thought in the witch's world, formed a sort of reflexion of Buddhism and it was rooted deeply in people-consciousness of the common class of society. Hence it can be said that the theme of Hyang-ga is derived from Cheoegto-Sasang implying Buddhistic spirit for the defence of the country and Moomyong which prevailed over the whole society at that time as witch's songs glorifying Buddha.
Though it is difficult to illustrate any Buddhist peculiarities among the themes in the verse in the days of Koryo, a religious bud sprouted from the types of Orientalism based on so-called nature-conversion and frailty of life. Buddhism was the national religion during the Koryo dynasty.
This is why they had more Buddhistic thinking in the interior than in the exterior despite the lack of materials relevant to literature itself.
The spiritual background of poetry during the Yee dynasty was based on Confucianism. But the nature of Confucianism was influenced by the theory of Bullsung which implies that anybody can be Buddha, by the thought of Yongsaeng implying to live to eternity, and that of uncertainty or nihility. Thus poetry based on Confucianism was much more prevalent throughout the exterior of the society than throughout the interior. In ether words, Buddhistic thought-underlying transmigrationism or self-effacement originated from Dhyana was actually prevalent throughout common society. It will be natural to say that Buddhism in the Yee dynasty had been so much incorporated with Confucianism and that they were similar to each other.
It is believed that a traditional poetry of any race plays on important role not only in understanding but in appreciation of feeling of life and its concrete expression. This also indicates that Buddhism rooted deeply in common society, as previously mentioned, formed some type of inherent thinking tradition in some ways and interacting with Shamanism or Confucianism. There is another illustration of Buddhistic influence on a ballad in which inherent thinking of a race was rooted deeply and from which the religious way of in interpretation can be appreciated.
Buddhist thought involves pluralistic dimension, thus it can be associated with political ideas. These will he the reasons why Buddhism in the Shilla dynasty is called Buddhism for defence of the nation and its main idea permeated deeply into common society of the time.
Early modern days especially consciousness of resistance against the Japanese rule over Korea, for which the idea, of Koreans is originated thereafter, is attributed to historically long-standing Buddhist thought.
The influence of Buddhist thought as a background of thou ht in the course of fornation of the Korean modern poetry can be easily found in work by the authors Yookdaug, Choonwon, Manhae.
In early modern days, Korea was to a great extent inf1uenced by the outside, especially by western impact, on the sides of Korean politics, culture, etc., so that Korean long lasting heritage could not but naturally go astray. Simultaneously with this state of disorder, the aforementioned poets made a great success in issuing Korean modernized styled poetry with which they became what they are now in the history of Korean literature as heritage-preservers connecting those two periods. In a word, they played the part of ushers from the reconstruction of the heritage of Korean literature toward the day-break for Korean modern poetry by means of Im. which stands for you, or object for their works.
Yookdang, one of them, used to try to seek Koreanism and inherent consciousness of theme through this Im. At last he succeeded in publishing so-called Baekpal-Bunnoe, the first anthology, in which he emphasized Ilwonsang from long lasting Buddhism in Korea. Choonwon, one of his contemporary writers, not only brightened the dimensions of his writing through this Im, he also accomplished poesie of metaphor underlying Buddhist scepticism and agony by which he is later considered much deeper in consciousness then Yookdang.
Yookdang tried to seek racial consciousness in his works through the Im symbolizing Fatherland, Korea out of Buddhist ideas, whereas Choonwon tried to represent consciousness of theme enlarging poetic meaning by means of Buddhist preaching or metaphor of the Sutra, and in his works he involved Buddhist Kyonseong, which implies to become Buddha, and Haetal, which implies deserting common society.
Choonwou's poctry put stress more on the desire for being freed from Japanese oppression through Buddhist HIaetal, rather than on awakening Konan conventional heritage and the historic task of creation of his fatherland.
Manhae is considered as the initiator of Korean modern poetry in that he consistently relayed conservative tendency in his attractive poetic dictions. He also succeeded to approaching Koreanized thinking which is peculiar and progressive far above Choonwon's Im. This was due to his generalization of Koreanized consciousness of beauty and to his realization of resistant attitude exceeding contemporary tragedy through negative-affirmative in realization of the underlying core. We can also find his superiority not only in his steadfastness toward revolution but also in his deep understanding of Buddhism.
In conclusion, in studying the works by Korean modern poets, Yookdang, Choonwon, and Manhae on the basis of Buddhism this study came to conclusion that they sought the so-called Im in common, which is the very essence of Korean thought.
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