1920년대 재일 한국인의 일어시 연구

다국어 초록 (Multilingual Abstract)

The purpose of this study is to grasp the chracteristics and the meaning of Korean poets' works which were written in Japanese in Japan in the 1920's. Most of these poets were studying abroad in Japan at that time, and announced a great number of poems in Japanese literary circles.
Jung, Ji-yong was one of them, announced lots of poems on <Modern Landscape>(근대풍경). He was an imagist poet who accepted the European modernism by means of the understanding of Japanease literature and English literature. His poems could be divided by two parts on the basis of the relations of his Korean poems. The first part was poems written by JApanese again based on his former Korean poems, and so could not have fully it's originality. But the second part was poems which we could not find the same sort of poems in the list of his Korean poetry. So it could have an orginality by itself as such. These poems did not express directly a thought or an emotion, but figurated sensitively it by means of the image of objective things. Because he accepted the imagism, and intended to write a modern poetry by new writting skills according to the influences of Japanese imagist poets, such as Kitahara Hakyusu(화원백추). As the result, these poems could extend his poetic world, and made a catalytic action in the development of his Korean poetry. But his poems did not show the historical reality of those days. It leaves something to be desired in this point.
Kim, Hee-mung, who was involved in the NAPF in Japan, was a poet that we could say he had been being on the opposite side of Jung, Ji-yong. Although we could not know well his personal history, most of his poems were works inspiring the struggle consciousness of the proletariat. Especially <the sadness of a foreign country>(이방애수) of them was a narrative poem telling a tragic story that a Korean labore had experienced the bitterness of national discrimination in Japan. With this work, one of Kim, Byung-ho's poems, <I am a Korean> expressed the sorrowful life of Korean wandering people and immigrants in Japan under the rule of Japanese imperialism. I could ascertain the national identity of Korean poets' poems in Japanese by these poems.

목차 (Table of Contents)

• 1. 서론 = 185
• 2. 鄭芝浴의 일어시 : 이미지즘의 시세계와 순수미학의 추구 = 188
• 3. 金熙明 등의 일어시 : 리얼리즘의 시세계와 민족적 정체성의 인식 = 198
• 4. 결론 = 204
• 참고문헌 = 206
• Abstract = 208