KCI등재
글과 그림의 만남 가능성 비 모방 예술의 경우 -칸딘스키 추상미술과 고대 영감론의 시문학을 중심으로 = On the possibility of the connection of a picture with a word in the non mimesis art - in W.Kandinsky`s abstract painting and the ancient theory of an inspiration
저자
발행기관
한국미학예술학회(The Korean Society of Aesthetics and Science of Art)
학술지명
권호사항
발행연도
2003
작성언어
-주제어
KDC
600
등재정보
KCI등재
자료형태
학술저널
발행기관 URL
수록면
137-164(28쪽)
제공처
W.Kandinsky`s abstract painting which had exPressed the purely abstract concept of the idea regardless of the material object was a new inclination not to follow the traditional painting principle of the western at all. Because his abstract painting was the very non mimesis art, as far as mimesis was defmed to the concept of imitation after the material appearance of the object among the various interpretation of its meaning. His abstract painting is similar to the music, in that it does not need the physical image of the sensible object, and it is possible for his abstract painting to meet the poetry and literature in the meaning of trying to exPress the spirit. On the other hand, a poetry and literature in the ancient theory of an inspiration explained that the poet was written by a mysterious inspiration from Muse, that is to say, in Enthousiasmos, and also could be regarded as the attitude of the non-mimesis in art, considering that a poet was not affected from the image of the sense perception on the material, phantasma, and poem informed some revelation from god. Nowaday, it is impossible to look upon the kandinsky`s abstract painting as the product from an inspiration or an Enthousiasm. But, in the starting point of an artistic creation, its similarity to the poetry and literature in the ancient theory of an inspiration can be found on the ground that it intends to exPress the pure imagery of the spirit excluding the sense perception on the material, and to refuse the method of mimesis after an appearance of the object in the sensible world as an imitation. Moreover, we can say that they meet in the same point of view that the purpose of art is to reach the transcendental world. It was Plotin who brought up for an argument about the property of non mimesis in art and a beauty of the transcendental dimension. According to his theory, the art does not work on as a mirror to the sensible world but artist embodies a beauty in his spirit into the matter by his own inner intuition of Theoria instead of imitating after the sensible object. These conclusion results from his point of view of the ontological position of art. Plotin put an art on the middle area between the transcendental world and the sensible one, so that the art could be the mirror to a soul, and a steppingstone required in the returning of a soul to the One. In this way, the abstract painting and the poet and literature of the ancient theory of an inspiration are concerned with the Plotin`s art theory together. And these connection can be reduced to the problem between a picture and a word. Because the idea exPressed through the a word is a kind of image as the imagery on the spirit. In other words, regardless of a phantasma fiom the material or a pure imagery on the spirit, both arts meet in the argument that an image is subject to the object. Of course, there is no relation to a story, at least, the words as the narrative and some description on a situation at all in Kandinsky`s abstract painting in which any sentiment or atmosphere of an humanity is completely excluded. However, it is possible to say that Kandinsky`s abstract painting accord with the innate property of a language encounters with the world of the word, as far as the word itself, as a minimal unit in a language , is already abstract. Kandinsky`s abstract painting assumes, so to speak, to meet more the world of a verse than that of a prose, in that it is concerned with the abstract feature of a language itself not the logical one in the context of words. Therefore, we can investigate the possibility of the association the picture and the word in Kandinsky`s abstract painting and the poet and literature in the ancient theory of an inspiration by way of the Plotin`s theory of the non mimesis art. And, the meeting place of them may be the concept of the non mimesis in art.
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