라캉 욕망이론의 관점에서 본 팝아트 - 올덴버그와 워홀의 작품을 중심으로 - = Pop art through the viewpoint of Lacan's desire theory - Focus on art works of both Oldenburg and Warhol -

다국어 초록 (Multilingual Abstract)

Pop art began to borrow a ordinary Objet from the industrial society. Pop art broke the wall between high art and low art to form public culture, and satisfied the desire they want with their works. And it was converted to an art or a parody of consumerism through a conventional things, cartoons and advertising media including those of Claes Oldenburg and Andy Warhol. The theory of Jacques Lacan is best suited to pop art movement. In view of the desire as far as Jacques Lacan theory, life is to desire the objet, and the objet needs to be transformed into a new form to sustain the life. Life is to desire the objet and when the objet disappeared life ends. This study, by pop art reinterpreted as Jacques Lacan, shows that theories and ideas of art techniques are an important source of the most important aspects of modern art that I was able to find. This study has meaning to propose the necessity of new pop art in the 2000s corresponding with the modern's desire


Keywords
: 욕망, 오브제, 팝아트
desire, objet, pop art

목차 (Table of Contents)

• 1. 서론
• 2. 라캉의 욕망이론(상상계,상징계,실재계)
• 3. 팝아트
• 4. 자크 라캉 이론 관점에서 본 팝아트
• 5. 결론