‘점령 기억’의 왜곡과 아메리카니즘

다국어 초록 (Multilingual Abstract)

本稿は異なる時期の福生を背景としている、村上龍の『限りなく透明に近いブルー』と山田栄美の「風味絶佳」をテキストとし、「場所の政治」による基地村の変容という観点で考察するものである。
両作品が基地村が内包した植民•被植民の図式と叙事を転覆させる要素を持っているという点に注目し、これが福士という基地村の歴史的変容が反映された結果という観点に基づいて分析を試みた。
『限りなく透明に近いブルー』は新しい芸術と文化の聖地に浮上した1970年代の福生を背景に、人生の目標を失ったまま彷徨う若者たちの退廃的な日常を描いている。福生は彼らにとって好きな音楽と自由を満喫できる場所であり、米軍も基地村も結局彼らの退廃的離脱のための要素に過ぎない。
「風味絶佳」では米国に憧れる祖母の叙事を理解し受け入れる孫を通じて、過去に対する「郷愁」に置き換わったアメリカニズムが基地村のイメージを歪曲させ、米軍占領の痛みを消してしまうことが確認できた。
東京都内に位置する基地村である福生については、イメージや価値転覆を目的とした介入や歪曲が早い時期から継続的に行われ、結果的に米軍占領の記憶を消して異国的な文化を楽しめる新しいサブカルチャーの聖地というイメージのみが浮き彫りになったといえる。

다국어 초록 (Multilingual Abstract)

This study examined Murakami Ryus “Kagirinaku Toumeini Chikai Blue” which contains the Fusa of different periods, and Yamada Amys “Humigekka”, as texts, from the viewpoint of the transformation of the village by politics of place.
This study focuses on the fact that the two works have elements that overthrow the schema and narrative of the colonists and colonists implied by the village, and attempts to analyze them based on the view that this is the result of reflecting the historical transformation of the village called Hussa.
“Kagirinaku Toumeini Chikai Blue” is set in the 1970s when the U.S. military left and emerged as a sacred place for new art and culture, and contains the decadent daily lives of young people who wander without their goals in life. Husa is a place where they can enjoy their favorite music and freedom, and both the U.S. military and the base village are only factors that support their decadent escape.
In “Humigekka”, it was confirmed that Americanism replaced by nostalgia for the past distorts the image of the base village and erases the pain of the U.S. military occupation through the grandson who understands and accepts the narrative of his grandmother who admires the U.S.
Due to the nature of the U.S. military base located in Tokyo, intervention and distortion aimed at overthrowing the image or value of Hussa continued early on, and as a result, only the image of a new subculture space where you can erase the memories of the U.S. occupation and enjoy exotic culture was highlighted.

목차 (Table of Contents)

• 1. 들어가기
• 2. 서브컬처, 그리고 아메리카니즘
• 3. 서브컬처로 치환되는 기지촌 문화
• 4. ‘향수(鄕愁)’로 치환되는 아메리카니즘
• 5. 나가기
• 참고문헌
• 要旨