페이스 링골드의 회화에서 보여 지는 페미니즘 연구 = Study of Feminism in Faith Ringgold’s Paintings
저자
발행사항
광주 : 전남대학교 교육대학원, 2010
학위논문사항
학위논문(석사)-- 전남대학교 교육대학원 : 교육학과 미술교육전공 2010. 2
발행연도
2010
작성언어
한국어
주제어
DDC
707 판사항(22)
발행국(도시)
광주
형태사항
ⅵ, 120 p. : 삽도 ; 26 cm.
일반주기명
전남대학교 논문은 저작권에 의해 보호받습니다.
지도교수: 정금희
참고문헌 : p. 94-96
소장기관
In the art history of America and Western Europe, we can see from records, transmission of female artists’ art works, and debates, that the advent of female artists has not been long. In fact, not only in arts but also in politics and almost every social sector, it was not until very recently that women were able to stand in front and spoke out, compared to the long history of mankind. Although the field of arts and artists’ performance, by nature, vary depending heavily on individual competence and skills, women as a group were rejected from the early stage of activities and education and shadowed by men.
In the American art history following after Europe, it was not until 1960’s that the activities of female artists finally came to surface. Among these people, the artists who especially stood for feminism art and led art activities as a feminist movement are classified as first generation female artists group. Feminism artists solidified the status of female artists by actively making comments and producing art works criticizing male-oriented consciousness and way of thinking, customs, systems and many other male-dominated fields. However, most of them were white female artists, who tended to be conservative when their primary goal of gaining women’s rights accomplished to a certain degree. At that time, in the American society racial conflicts between white and black were still existent. Thus, the white female artists’ fight did not cater to the concerns of black female artists. So there was a reason that works and art spirit of a black female artist Faith Ringgold who was active during the first generation feminism artists’ period could attract more attention than her colleagues. It was because she went beyond the primary gender discrimination problem and extended her concerns to racial conflicts between white and black and tried to break the multi-layered discrimination structure. Ringgold, in particular, distinctly showed her standing as an artist and activist who rigorously used her work as a medium of women’s and racial movement.
Ringgold did not keep silent about the discrimination against black women. She did not keep the problem just to herself but tried to cater to the circumstances surrounding her and attempted to solve them. She expressed her critical mind and became the central figure of feminism art movement in those times by taking to street and trying to change the social structure through her works. Despite the fact, as a woman of colored race, she was not recognized much compared to white women. Yet, she constantly criticized the white-oriented society and the mainstream art’s customary practices. In doing so, she did change people’s consciousness and art policies. She worked to inherit and restore the African-American’s native culture and women’s traditional culture and Ringgold’s unique feminism art was developed in the process.
In Ringgold’s art, influence of various cultures and traces of ideas can be detected. She challenges the mainstream art and society through Harlem renaissance, Africa’s traditional culture, oriental paintings with a subtitle and a seal printed on them, Tibet’s Buddhist art, storytelling, and handicrafts which have been women’s art, historical revisionism, riots and violence on the streets, family history, love, dilemma as a woman and lots of other elements which go unnoticed. The intention she tries to make through these various traces is distinct. It is to show criticism and resistance toward racial discrimination, gender discrimination, repression, violence and war.
Despite the facts that Ringgold had a great influence on feminism art and she is well known in the U.S. mainstream art, the lack of research and resources about her could be because of our partial way of accepting white culture. I hope that through this thesis a pluralistic point of view toward feminism gets more noticed and that female artists of Korea and of colored races, who have been neglected due to the white male-oriented study of art receive more attention.
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