『도시의 자유』에 나타난 권력담론과 그 희생자들

다국어 초록 (Multilingual Abstract)

This thesis aims to analyze The Freedom of the City focusing on the confederacy among state apparatuses and their public discourses that distort and exaggerate the experienced reality of the disprivileged citizens in Derry―Skinner, Lily, and Michael―and their violent impacts on them. Many readings of this play tend to oversimplify it as a Nationalist political play by regarding it solely as a product of a historical event of Bloody Sunday. However, it is revealed that Brian Friel broadens his scope by approaching the broader issues of authority or power―political, judicial, moral―and its discourses in the context of Northern Ireland’s social, political, and cultural issues, and reveals how language and discourse manipulate and destroy individuals.
The empowered figures in this play, those ‘outside’ the Guildhall, seek to manage ideological discourse. In a sense, the discourses of those figures rather than the figures themselves are the real protagonists of this play. On the other hand, three victims, those ‘inside’ the Guildhall, appear as hapless victims of the discourses of power. The various official discourses of the empowered frame the activities of the hapless trio in the mayor’s parlor, determine the course of their lives, and collaborate to snuff out that existence to suit their purpose. As a result, the trio become the casuality of language and also fall victim to political, social, economic and judicial injustice of greater force in Northern Ireland.
The public discourses represented by a Judge, Soldiers, Police Constable, Brigadier, Army Press Officer, Forensic Expert, Pathologist, Priest, Balladeer, TV news commentator, and a sociologist Dr. Dodds, seem to be ideologically disparate, yet they reveal their mutual confederacy. They assume allegiance to the British government or other forces that implicitly take its side. And even those that seem to sympathize with the Irish victims also show allegiance to the British power. They all foster the official view and elevate the level of fear with exaggeration and distortion.

목차 (Table of Contents)

• Ⅰ. 들어가는 말
• Ⅱ. 국가장치들의 제휴와 공모
• Ⅲ. 공적 담론에 숨겨진 권력
• Ⅳ. 담론의 희생자들: 주검에서 죽음으로
• Ⅴ. 나가는 말
• 참고문헌
• Abstract

참고문헌 (Reference)

• 1 노먼 페어클럽, "언어와 권력(Language and Power)" 도서출판 경진 2011
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• 3 아일랜드 드라마연구회, "아일랜드, 아일랜드" 이화여자대학교출판부 2008
• 4 이강은, "미하일 바흐친과 폴리포니야" 도서출판 역락 2011
• 5 양운덕, "미셸 푸코" ㈜살림출판사 2004
• 6 김욱동, "대화적 상상력" 문학과 지성사 1988
• 7 주지동, "내사랑 아일랜드" 도서출판 좋은땅 2012
• 8 한병철, "권력이란 무엇인가(Was Ist Macht?)" 문학과 지성사 2011
• 9 사토 요시우키, "권력과 저항: 푸코, 들뢰즈, 데리다" 도서출판 난장 2012
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• 12 Rochy, Anthony, "The Cambridge Companion to Brian Friel" Cambridge UP 2006
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• 16 Foster, R.F., "Modern Ireland 1600-1972" Penguin Books 1989
• 17 Parker, Michael, "Forms of Redress: Structure and Characterization in The Freedom of the City" 5 (5): 47-70, 1999
• 18 Winkler, Elizabeth Hale, "Brian Friel’s ‘The Freedom of the City’: Historical Actuality and Dramatic Imagination" 7 (7): 12-31, 1981
• 19 Morse, Donald E., "Brian Friel’s Dramatic Artistry" Carysfort Press 2006
• 20 Murray, Christopher, "Brian Friel: Essays, Diaries, Interviews" Faber and Faber 1999
• 21 Boltwood, Scott, "Brian Friel, Ireland, and the North" Cambridge UP 2007
• 22 McGrath, F.C., "Brian Friel's (Post)Colonial Drama: Language, Illusion, and Politics" Syracuse UP 1999
• 23 Pine, Richard, "Brian Friel and Ireland’s Drama" Routledge 1990
• 24 Corbett, Tony, "Brian Friel : Decoding the Language of the Tribe" The Liffey Press 2002
• 25 Dantanus, Ulf, "Brian Friel : A Study" Faber and Faber 1988
• 26 O’Brien, George, "Brian Friel" Twayne Publishers 1990