韓國 浪漫主義 詩意識에 관한 硏究 = A Study on the Poetic Consciousness of Korean Romanticism
저자
朴喆石 (文科大學 國語國文學科 )
발행기관
학술지명
권호사항
발행연도
1987
작성언어
Korean
KDC
040.000
자료형태
학술저널
수록면
9-41(33쪽)
제공처
소장기관
My purpose in this paper is to attempt to elucidate the identity of Korean romantic poetry which has played a major role in the history of our modern poetry.
The identity of Korean romantic poetry up to the present is surveyed in terms of foreign influence and tradition. In terms of the former the formative processes of Korean romanticism is traced from the point of poetic history and in terms of the latter it is shown how the thought of Buddhism, Confucianism and of Lao-tze and Chung-tze have passed into the vein of modern poetry as tradition. And this dissertation, to begin with, is concerned with the magazines of Pehuh, Jangmi-Chon and Baegjo.
Ⅰ) The literary tendency of Korean romantic movement in the early 1920s of the magazines of Pehuh, Jangmi-Chon and Baegjo may be summarized as follows:
1) Pehuh: The main propensity is romanticism. It is manifested in 'Standing In the Ruins' of Yeom Sang-seob, 'Agony of the Times and Sacrifice' of O Sang-sun and in the poems of Hwang Seog-u, Nam Gung-byeog, Bbyeon Yeong-ro. Though their poems are somewhat different from one another in style, they are similar in that they were all trying to get over the oppressed situation imposed upon by the Japanese imperialism. And it is subsequently realized that Hwang Seog-u or his metaphorical style exerted an influence upon Park Jong-haw, Park Yeong-hi, and Yi Sang-hwa.
2) Jangmi-Chon : Reverie and long-cherished desire are suggestively expressed in the poems-'Bursting Rose' of Ro Ja-yong and 'A Banquet in Jangmi-Chon' of Hwang Seog-u; the desperate situation, skepticism, and the aweful thing of decease in the poems such as 'Bamboo's Lamentation' of Park Yeong-hi, 'Life and Death' of Geun Weon, and 'The Last Home Village' of U-Yeong And the above two dispositions are together involved in the poem, 'A Milk-White Street' of Park Jong-hwa. The propensity of Jangmi-Chon in view of Korean poetical history is after all realized as transitional aspects of modern romanticism in Korea.
3) Baegjo. It is sure to show three aspects as follows: first, in 'The Sixth Miscellaneous Notes' and poems of Park Jong-hwa, Yi-Sang-hwa, Park Yeong-hi, and Hong Sa-yong is revealed their firm resolution that they stood face to face with the Japanese colonialism; second, the modern romanticism upon Korean emotion was for the first time to start off with the magazine. third, the magazine Baegjo was a switch-role to play in the moment that the romanticism was converted into the critical romanticism.
Ⅱ) With the Samil Movement as a momentum, a socialist movement grew more aggravated in 1920s, and spontaneously occurred the active romanticism which put stress upon social renovation on the real basis. From about this time on Kim Hyeong-weon, Hyeon Cheol, Kim Eog, and the western born academic Seoulites consistently advocated new literature, popular arts, or mass-struggle literature, and so did Kim Gi-jin-in his poems, essays, and criticism-who was under the influence of Japanese newly emerging literature. Meanwhile Ju Yo-han, and Kim Gi-jin, who expressed themselves upon the romanticism and poetics, can be specified as leading poets of those days. Kim Gi-jin played a major role, in them, in accepting the active romanticism in the Korean literary circles and his literary absolute tendency is best expressed in his poem 'A Ray of Light'
Ⅲ) In the mid 1920s in the Korean literary circles, truned up reformism and active romanticism on the subject of pauperism. According to such a tendency Yi Sang-hwa freed himself from the imprisonment of his early literary life in egoism and he was deeply concerned in the social problems.
It is suggested, in his critical essays, that proletarians should be supported, and that poetry should be made an rule to read in everyday life.
Of course his poems such as 'Street Feature(街相) are supposed to be humanistic rather than ideologic. Nevertheless, as an excellent piece of the nationalistic romanticism, especially the poem 'How Should the Spring Come towards the Plains Which Are Deprived of ?' written in his later life-cherishes mood or tone of locality that is very close to the mass of people.
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