柳宗悅의 韓國工藝觀에 對한 考察 = A Study on the Yanagee Mooneyoshi's View on the Korean Craft

다국어 초록 (Multilingual Abstract)

Yanagee Mooneyoshi is the one who proposed, developed, and completed the folk art movement so much as he is called the beginner of folk art movement and titled the poet of folk art.
This paper would search for the answer to the question what is his view of the Korean craft and what is its cenceptual background. His view on the beauty can be described as the beauty of common life, the beauty of unartificial work, and the beauty of natural states resulted from Great Nature works. He tried to find out the unartificial beauty in the folk art works. He thought there were countless beauties in the each traces resulted from engraving the wood.
He took a leading role in the humanism movement of Daijung Age(1912-1925). His views on the Korea and Korean arts had a little tendency of dogmatism and fanaticism. His established philosophy about Korean beauty, however, may be effective and true for a long tine. He sharply proposed that Korean ants contain the characteristics of curve, and that the fact be explained by the folk hope for the next world compersating for the dissatisfaction and agony of this world. He also claimed that the curve was derived from the tragical history of Korean people and that the curve was related with Korean political situations.
Yanagee took the position criticizing the Japanese error. His view on the beauty of curve is identical with that of Korean historians on the Korean arts. Ko Yooseop. A historian of Korean arts. represented the characteristics of Korean arts as caim and solitary beauty, and simple beauty. which can be compared with Yanagee's beauty of line and beauty of folk art, Kim Wonlyong also said in the preface of his history of Korean arts that Yanagee's linear characteristics was the property of Korean arts.
The reason why we now reconsider Yanagee is that our view to him to day can not be identified with other Koreans'. In that time, he represented and consoled the angers and sorrows of the colonized Koreans who must endure the oppression of Japan. and understood and liked the core of Korean arts which the oppressed people had accomplished.

목차 (Table of Contents)

• Ⅰ. 序 論
• Ⅱ. 柳宗悅의 韓國旅行
• 1. 韓國旅行의 動機
• 2. 韓國旅行
• Ⅲ. 朝鮮民族美術館設立
• Ⅳ. 「悲哀의 美」論의 批判
• Ⅴ. 柳宗悅의 民藝觀
• Ⅵ. 柳宗悅의 着述을 通한 韓國美觀
• Ⅶ. 結 論
• 參考文獻
• 柳宗悅의 略年譜
• Summary