야니 음악에 나타난 다양한 융합 미학 관념 연구 = On the Aesthetics of Multi-fusion in Yanni’s Music

다국어 초록 (Multilingual Abstract)

Yanni is a cross-border composer and performer active in the contemporary world music scene. He adheres to the creative concept of using music to express emotions. His musical language and form are eclectic. His musical performances are based on the cultures of various ethnic groups in the world. His musical style integrates multiple factors such as classical, rock, jazz, symphony, and electronic sound, making his overall music system show a diverse and integrated musical aesthetic quality.However, most of the existing literature on Yanni is critical and appreciative articles, as well as some news media reports, interviews, concert videos, music audio and other materials. There are few academic materials focusing on his musical aesthetics. Therefore, theoretical research on Yanni’s musical aesthetics can not only supplement the lack of theoretical research on him in the academic community, but also provide certain references and inspirations for the creation and development of contemporary serious musicians and popular musicians of various nationalities. This paper uses the research methods of literature analysis and case study, and divides the paper into three main parts: The first part of this article sorts out Yanni’s personal experience and musical achievements, showing the living environment, era, and knowledge structure system throughout his life.The second part is the core of the paper, which is summarized by the word “pluralistic integration” and analyzes the aesthetic characteristics of Yanni’s music and performance system. This chapter is mainly divided into three points. First, the aesthetic analysis of the pluralistic integration of music creation and performance concepts is carried out, and the discussion is carried out from two aspects: emotion integration into creation and multi-ethnic cultural integration. Secondly, the pluralistic integration of Yanni’s music form is analyzed, and the discussion is carried out from two aspects: musical language and musical style. Finally, the pluralistic integration of Yanni’s music performance form is analyzed from two aspects: performance integration into creation and conducting integration into performance.The ending part of the paper summarizes the analysis of Yanni’s music’s aesthetic concept of diversified integration. On the one hand, it explores the enlightenment significance of the “diversified integration” and transnational development model of his music system to modern instrumental composers, popular musicians and other groups. On the other hand, it explores how the dissemination paradigm of Yanni’s music provides a development path that can be used as a reference for promoting national music to go abroad and into the world and achieve better and faster development.