제의적 문화원형을 통한 장보고축제의 활용방안 = A Study on the Ritual Cultural Prototype Available in Wando`s Chang Pogo Festival

다국어 초록 (Multilingual Abstract)

The aim of a festival is in a form of the most fundamental, collective action that mankind has practiced from ancient to modern times on the basis of expressing the culture concretely. Thus, this form of a festival as a prop, should to follows a pattern which has community spirit based on myth or the historical tradition, the subjective participation in the shared unique consciousness of history, their local characteristic and identity, a type of self-conceit and so on. Since the mid-1990s any number of local festivals has been rapidly increased, and also municipalities really have a good effect of them. Yet, apart from that, the augmentation of the desire of ordinary people who are eager to have a higher life of leisure, according to which tourist demand and the factors of supply in a such a way that the travel contents are developed enthusiastically, and the reconsideration and advertisement of the regional images are held together, that we cannot pay attention to the rapid increment of the number of local festivals. However, the festivals coming up to this factors without the verification of a cultural prototype of historical characters and events are only available for the materials of them, an appearance that has a lot of problems. Included in the Chang Pogo Festival in Wando is a basic condition called a historical and ritual feature of how it takes place on the grounds of the real identity of his own and in various tales on Song Jing as Chang Pogo’s alias and the lore of shamans’ exorcism in the ‘Song for Song Commander-in-Chief’, and annual events involved in the previous Wando country. And yet, 2007 12th Chang Pogo Festival has not been recognized as a typical festival revealing a local identity, and it is because we cannot appropriately make a use of ritual cultural prototype. This study discusses several common types of the developing schemes through Chang Pogo Festivals as a cultural prototype. According to which the predictable effect is supposed to secure a variety and professional of local festivals if these materials are researched and used in a various way. The recreation of the festival based on its prototype plays a role of bringing together participants and the local residents, and the structure of identity per se is involved in local residents, so a new tradition will be created.

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