趙寅永과 劉喜海, 그리고 箕田: 난징도서관 소장 조인영 친필증정본 <久菴遺稿>에 보이는 朝-淸 문인 간 지식 교류의 상호적 맥락 = Cho Inyŏng, Liu Xihai, and Jizi’s Well-Field System: Interactive Knowledge Exchange between Chosŏn and Qing Literati in Cho’s Handwritten Kuamyugo at Nanjing Library

다국어 초록 (Multilingual Abstract)

The Nanjing Library in China holds a handwritten copy of Kuamyugo, which was transcribed and presented in 1818 by Cho Inyŏng—who later became a prominent figure in Chosŏn—to Liu Xihai, a bibliophile and epigraphist of the Qing dynasty. This copy of Kuamyugo is an excerpt from Han Paekkyŏm’s original literary collection, specifically selecting Kijŏndosŏl. Han wrote Kijŏndosŏl after inspecting the remains of Jizi’s well-field system in P'yŏngyang from 1607 to 1608. As the first positive analysis of Jizi’s system, Kijŏndosŏl had a significant influence on the Little Sinocentrism movement in late Chosŏn, and was also shared by these two young Chosŏn and Qing literati, Cho and Liu. However, this was not a mere one-way introduction of Chosŏn scholarship from Cho Inyŏng to Liu Xihai. Prior to Cho’s presentation, Qing literati had already developed an interest in the ancient history of Korea. In response to this intellectual curiosity, the Chosŏn court printed Kijŏn'go using Imjin metal type in 1790. This edition was later reprinted with woodblocks in Qing more than twice and is believed to have been transcribed numerous times. For example, Weng Shukun, the youngest son of Weng Fanggang, lent an Imjin-type edition of Kijŏn'go to his friend who wants to transcribe the book and wrote two prefaces in 1814. When Liu Xihai later transcribed Weng’s prefaces and the Imjin-type Kijŏn'go, he compiled them with Chosŏnji, a book cited in Weng’s prefaces. This suggests that Cho Inyŏng presented Kuamyugo to Liu Xihai because Liu wanted to compare Han Paekkyŏm’s original work with the Kijŏn'go edition produced by the Chosŏn court. However, Qing literati like Weng Shukun and Liu Xihai approached Kijŏndosŏl with a sense of “fondness for antiquity” rather than sharing the Chosŏn literati’s sense of cultural pride. The Kuamyugo manuscript in the Nanjing Library exemplifies the dynamic exchange of knowledge and books within the Sinographic Cosmopolis, illustrating that intellectual transmission was not a one-way process but rather a reciprocal and interactive engagement between sender and receiver.