코스톨라니 대죄 작품에 나타난 갈등 분석

다국어 초록 (Multilingual Abstract)

This article was written to summarize Dezső Kosztolányi's views about psychological and social conflicts for Korean readers. Kosztolányi was one of the most talented writers and poet of mid war Hungary. His inclination to symbolism, secession, and impressionism made him someone who represented the main tendencies of European literature of the age. Although Kosztolányi always emphasized the importance of the l'art pour l'art attitude, his short stories and novels reflect the contemporary Hungarian society. Since the use of human conflict
frequently emerged in his novels and stories, we can understand his general views of the world. The identical conflict types were not so important for Kosztolányi as was the conflict itself. Nevertheless, the writer represented different social, political, generational and love conflicts in detail even if recognized
the existence of the dividing lines between social classes and between the generations, but always disapproved the rigid classification of people and the artificially erected walls that keep human beings apart. In the
case of man and woman conflicts, Kosztolányi gradually abandoned the primarily man-centered and contra-woman attitude. In the name of individualism and freedom, he often disapproved of those rules that control and restrain private life. Kosztolányi placed egoism in first place among the reasons for potential conflicts. In the meantime he supported the individual right for the protection of his personal integration. His egoist characters can be individual into two group: those whose egoism suffers a certain degree of frustration can be put into the first one and those who have never had any experience at all can be put into the other. osztolányi considered that the lack of understanding and sadism are the other two main sources of conflicts. He generally disapproved the passivity and submissiveness, but gave no chance for compromise. He emphasized the negative aspects of revolt and protest against repression.