KCI등재
미국 흑인음악의 역사적 배경과 발전 과정 = The Historical Approach to The Development of African-American Music in the United States
저자
발행기관
학술지명
권호사항
발행연도
2011
작성언어
-주제어
KDC
900
등재정보
KCI등재
자료형태
학술저널
발행기관 URL
수록면
115-144(30쪽)
제공처
For everywhere we listen, there is music - African American music. African American music is the treasures of the United States. Spirituals, ragtime, the blues, jazz, rhythm and blues, gospel, soul and hip hop-among other style-are some of the richest and most distinctive products of their national culture. African American music can be mapped, because music history are musical works. Today hip hop and other black musical expression have become implicated in debates about African American identity and status. To a great extent, African American music history is also a story about those people.
This is a brief overview of the complex history of African American music. The goal of this is to integrate the broad currents of the music’s history into the history of African Americans - deeply embedded in African American social history. Black music bears witness to the horrors of slavery, the first years of emancipation, the burden of segregation and second-class citizenship, the striving for civil rights, and efforts of the black middle class to pursue prosperity and security. The music often has been swept up in the great social and political struggles that affected black Americans, such as abolitionism, the Great Migration to the North, and the civil rights movement. Developed in the face of centuries of racial discrimination, poverty, and other challenges, the music testifies to the resilience of African and Caribbean musical origins(call-and-response, polyphonic, syncopation, etc.) and the creativity of individuals, families, and communities. The biographies of people who make music are fascinating case studies of African American life from the 1700s to the present. In addition, the story of African American music’s impact on non-black listeners-who have played a role in making it one of the world’s most popular cultural products-is a compelling chapter in the history of U.S. race relations.
African-American music has its beginning in song. its roots lie deep in African folk singing. Their voice are their principal means of musical expression. The early African-American imitated songs of work and play, of trouble and hope, which were heard everywhere in the South in the countryside, in the cotton fields, from men who were on the railroad, from families who were singing away sorrow in their humble cottages, from people who gathered in churches along roads. Hollers, cries and moans, early spirituals, rural work and play songs, rural blues, gospel music, urban blues, and soul music are the expressions of Afro-American values and culture. Ragtime is essentially piano music. The blues expresses feelings which the Africans know well. A kind of song-speech from the singer’s emotions, the blues, using blue note, speak of troubles and joys, and express the general feelings about life and love which grow out of the African-American community. Sometimes gay, but more often sentimental, and always carrying with them a hint of sadness and pain, the blues become the musical folk poetry of them. They play for dances, weddings, picnics, funerals - they play anything and everything. The horns become extensions of the human voice which opens the way to jazz. For this reason there has always been a strong singing quality to jazz. They have built much of their music over the rhythms of African drums. Drumming styles long familiar to the African, but new to Western ears, give this new music a swinging, dancing character of its own. The African rhythms, however, are not the only element that builds up the new jazz. The musicians use all the different kinds of music they hear about, mixing into their music the elements from church hymns, folk songs, marches, or anything which catch their fancy. The result is a mixture that is vigorous, native, and quite new music in which musicians give jazz its voice and define its musical form. What they play is a kind of music that to them is a way of life, a deep and strong expression of the African soul.
Music is often closely linked to ecology. African American music has had a deep sense of nostalgia, identified musical roots, and commitment of Africa. Even though being denied access to main stream, with hope and virtue earlier generation did not turn back nor did they falter so that they might live a better life. With eyes fixed on the horizon, they have carried forth that great gift of freedom and delivered it safely to future generations. They also truly made good on the Black Nationalist dream of economic independence. That’s why their music has done as much for the economic, political, and social advancement of black American as any cultural movement in history. In so doing, African American music set all of America free. This is the journey they have continued over. It’s been a long time coming, but their music has come to America and to the world.
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