역사극의 분석틀을 활용한 영화 <자산어보>의 내레이션 특성에 관한 연구 = A Study on the Narration Characteristics of <The Book of Fish> Using the Analysis Frame of Historical Drama

다국어 초록 (Multilingual Abstract)

The purpose of this study is to analyze how the movie <The Book of Fish> (2021) represents Joseon, which is slowly collapsing with the Neo-Confucian order of the 19th century shaking, and to discuss its meaning. Prior to the analysis, the analysis framework of the historical drama was presented considering the narration characteristics of the historical drama. Using the analysis framework of historical dramas, we confirmed that <The Book of Fish> is representing the image of Jeong Yak-jeon and Jang Chang-dae living their lives as independent individuals between the limitations and possibilities of the times based on the plot structure of the narrative of exile. Through the central memory and surplus memory created through plot and style elements such as contrast between black and white and color images, voice-over narration, chinese poetry subtitles and music, the film asks us universal questions about what it takes to live as an independent individual.

참고문헌 (Reference)

• 1 채희상, "패배의 ‘기억의 장소’로서 영화 <남한산성>에 관한 연구" 현대영화연구소 19 (19): 85-106, 2023
• 2 김선미, "영화 <자산어보>의 유배 서사 연구" 대중서사학회 28 (28): 13-32, 2022
• 3 채희상, "영화 '귀향'의 세 겹의 현재(triple présent)에 관한 연구" 한국정치커뮤니케이션학회 (45) : 103-127, 2017
• 4 김용수, "역사극의 이론적 관점에서 본 한국역사극의 특성" 한국연극학회 (35) : 5-47, 2008
• 5 권은선, "버려진 아들들의 심리학-영화 <변산>과 <자산어보>의 아버지-아들 관계 연구" 국제문화기술진흥원 7 (7): 445-451, 2021
• 6 Sujeong Wi, "[Interview ②] Director Lee Joonik of “History is our story, no distortion or fabrication”"
• 7 Sujeong Wi, "[Interview ①] Director Lee Joon-ik “ contains the aesthetics of black and white like ink-and-wash painting""
• 8 Toplin, R. B., "The Filmmaker as Historian" 93 (93): 1210-1227, 1998
• 9 Rosenstone, R. A., "Revisioning History : Film and the Construction of a New Past" Princeton University Press 1994
• 10 Bordwell, D., "Narration in the Fiction Film" University of Wisconsin Press 1985