중국 성시(省市) 심벌마크 속 문화(文化) 함의(含意) 연구 - 석창홍(石昌鴻) 디자인을 중심으로 = A study on the cultural implication of provincial and municipal symbols in China

다국어 초록 (Multilingual Abstract)

The main purpose of this paper is to consider the cultural implications contained in the symbol marks representing each region of China’s provincial government. Although it is not an official designated mark by the Chinese government, I decided that the work of a designer named Shi-changhong was worthy of research as it gained public sympathy and is drawing attention from the media and academia.
A total of 34 symbolic marks were classified, including four direct cities, 23 provinces, five autonomous districts and two special administrative districts, and the results were classified into four types. The first is a structure that is mostly artificial, and the ancient one was Anhui’s ‘Ma Tou wall’ and the modern one was Chongqing’s ‘Mountain city’. The second was to learn about Henan’s ‘Peony’ and Hunan’s ‘Wulingyuan’, which are natural animals and plants that reveal the national sentiments of the Han Chinese people. The third was the ‘Bronzeware’ of Shanxi and the ‘King Yue’s sword’ of Hubei. The last and fourth features cultural symbols, which mainly dealt with intangible materials that did not correspond to specific objects, introduced Guangdong’s ‘Lion Dance’ and Yunnan’s ‘Auspicious clouds’.
Although the cultural elements and implications of all 34 symbols were not considered, the first handling of the symbol marks representing each region and the analysis of symbolic cultures in the symbol marks can explain the meaning of this study.

참고문헌 (Reference)

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