韓國 自然詩歌에 끼친 陶淵明의 影響 = Do Yun-Myung's influence on the Korean nature poetry

다국어 초록 (Multilingual Abstract)

The existing study of the Nature poetry has suggested obscurely that there should be a lot of Chosun Dynasty's poetry which sang Nature. The existing researchers found the cause of originating the Nature poetry in Chosun Dynasty's political situations such as the party strife and the massacre of scholars, and the originating period of the Nature poetry has been regarded as the age of King Yu＾n-San, Chosun Dynasty.
Differing from these existing opinions, this study paid attention to the fact that there are a lot of aspects which received Do Yun-Myung in Si-Jo and Ga-Sa and tried to find the main reason why Chosun poetry reflected Nature in the reception of Do Yun-Myung's poetry.
In addition, paying attention to the fact that there are many Han-Si in the later half of Cory0 Dynasty to receive Do Yun-Myunig and to sing Nature, this thesis came to have the opinion that the originating period of the Nature poetry should date back the later half of Coryo Dynasty. Furthermore, this thesis tried to show how Si-Jo and Ga-Sa of Chosun Dynasty reflected Nature and tried to define our ancestors' point of view about Nature.
In this point of view, this thesis used the comparative literary approach to achieve the purpose. Regarding Do Yun-Myung as sender(e´meteur) and the literary men of Coryo and Chosun Dynasty as receiver(re´cpteur), this thesis studied those things :
First, this study tried to find the reason why our ancient literary men loved Do Yun-Myung and received his poetry, in Do Yun-Myung himself as sender. For this, this study re-examined Do Yun-Myung's whole life, the nature of his main idea, Guiguraesa (The Ode of Returning to Nature), his life-style reflected his literature, and his status in the history of Chinese literature.
Second, examining the various backgrounds which the literary men of the later half of Coryo Dynasty had, this thesis tried to find how they formed the Nature poetry through respecting Do Yun-Myung and receiving his poetry. For this, this study examined the tradition of our Nature poetry, the process of introducing Do Yun-Myung's poetry to have influence on forming our Nature poetry, and tried to find the reason in political, social, cultural and ideological backgrounds of Coryo Dynasty. In these political, economic, social and cultural climates, the literary men of the later half of Coryo Dynasty became to respect Do Yun-Myung and to form the Nature poetry longing for living in Nature.
To know how these situations of period and climate were represented in Han-Si of the later half of Coryo Dynasty, this thesis examined the representative literary men's poetry and came to know that all of them respected Do Yun-Myung, honored his returning to Nature, and received his poetical imagination and poetical phrases in their poetry and sang the Nature poetry longing for natural life, regardless of their class and situation.
Considering those facts, the originating period of the Nature Poetry called the way of sing the Nature should not be regarded as the age of King Yun-San, Chosun Dynasty, but be regarded as the later half of Coryo Dynasty when the nature poetry originated from the Han-Si under the influence of Do Yun-Myung.
Third this thesis examined how Si-Jo and Ga-Sa of Chosun Dynasty following the Nature poetry resulted from Han-Si of the later half of Coryo Dynasty, were succeeded, developed and changed. This study chose 1397 poems singing Nature contained Yuckdaesijojunseo( the anthology of Si- Jo in all ages )and classified those poems according to the type which was concerned with Do Yun-Myung's poetical imagination, and observed those Si- Jos' poetical imagination, poetic diction and poetic phrases in comparison with the Do Yun-Myung's poetry, and defined the character of the Nature Si- Jo.
As a result, in contrast to the fact that Coryo Han-Si receiving Do Yun-Myung usually respected Do Yun-Myung, longed for returning to Nature, the Nature Si-Jo of Chosun Dynasty transcended the longing for returning to Nature, accepted that as real life, and sang the various aspects such as the pleasure of returning to Nature, the conflict between returning to Nature and acquiring the social status, and the motive of returning to Nature. And this thesis could find that the Nature Si-Jo of Chosun Dynasty reflected the various ideas and life of Do Yun-Myung which had not been found in the Nature poetry of the later half of Coryo Dynasty. Especially, to spread the Confucian Nature Si-Jo shows that the creative variations had been made in the climate of our literature.
Next, this thesis observed the various aspects of the Nature Ga-Sa receiving Do Yun-Myung. After choosing the Ga-Sa which sang Nature, this study examined the aspects of receiving Do Yun-Myung's poetical imagination, poetical phrases, reflected in Ga-Sa one by one. As this result, this study could find that a great many Do Yun-Myung's poetical imagination and poetical phrases were received in the Nature Gs-Sa amazingly and variously.
The prominent thing in this thesis is that the big frame(topos) of idea of the Do Yun-Myung ~ returning to the secluded life, living natural life, enjoying the pleasure of comfort despite the material poverty, and keeping and continuing that life ~ influenced the frame of Korean Nature poetry in terms of poetic structure and poetical imagination.
Finally, defining the literary men's point of view about Nature reflected in the our ancient Nature poetry influenced by Do Yun-Myung, their Nature was the precious place in contrast to the secular life, the longing object in which they could live peacefully and enjoy the pleasure of being at leisure, and a Utopia. And the space of life in which human beings could assimilate with Nature, and the place in which they could protect themselves in the confused world, and they could console themselves in their misfortune and gain the pleasure. Furthermore, Nature is the place in which they could perceive a truth, keep the original human personality clean, and live peacefully.

목차 (Table of Contents)

• 목차 = ⅰ
• Ⅰ. 序論 = 1
• 1. 硏究 目的 = 1
• 2. 硏究 範圍와 方法 = 4
• Ⅱ. 發信者로서의 陶淵明 = 7
• 1. 陶淵明의 文學과 思想 = 7
• 2. 中國 文學史上의 陶淵明 = 34
• Ⅲ. 自然詩歌의 傳統과 高麗 自然詩 形成 = 46
• 1. 韓國 自然詩歌의 傳統 = 46
• 2. 高麗 自然詩 形成의 背景 = 56
• 3. 高麗 後半期의 自然詩 = 71
• Ⅳ. 自然時調의 隆盛과 陶淵明 = 114
• 1. 自然時調의 陶淵明 受容 背景 = 114
• 2. 作品에 나타난 陶淵明 受容 樣相 = 116
• Ⅴ. 自然歌辭의 盛行과 陶淵明 = 205
• 1. 自然歌辭의 陶淵明 受容 背景 = 205
• 2. 作品別 陶淵明 受容 樣相 = 206
• 3. 自然 歌辭 構造와 詩想의 類型性 = 237
• Ⅵ. 結論 = 244
• 參考文獻 = 248
• SUMMARY = 253