조선후기 시조(時調)에 나타난 가족(家族)의 양상 = 여성(女性)을 중심으로

다국어 초록 (Multilingual Abstract)

Family is not only the smallest unit of society but also is a material that successfully realizes the life circumstances and the life images (心象) the creator intends to explain. Notably, in late Joseon sijo (a Korean traditional poetic form that emerged in the Goryeo period) roles of females and aspects of their lives in the families, societies, are clearly shown. In this way, the female deviation and conflict circumstances displayed in that genre - the females inside the families - materialize in detail the realistic desires they themselves have.
This cannot be fulfilled with the exclusion of the `social` (社會) circumstances given to the females. The females in the genre show that even roles given within an institution can no longer be controlled (制御) by social norms and coercion. There is a sufficient possibility that this rises as an issue in a traditional society; but they are stating their circumstances enthusiastically.
The genre depicts negative aspects (e.g. concubinage, family troubles) by setting up visible situations, rather than gives detailed explanations of the issues by using techniques such as the satirization of social situations. That is, they did not have open confrontations or put forward their disobedience to the system but cause us to realize that the status system does not greatly affect family formation any longer.
Above all, it seems that the conflicts and desires the female characters in the genre had were shown to be entwined with the yoke family on the surface. This arose from the norms for females that times and society are imposing - in the social environment they had no choice but to accept, they did not look after themselves. But they came to have a new will and new strength to live as various institutions and environments flowed in.