정동의 불협화음: 브뤼노 뒤몽 (Bruno Dumont)의 <잔 다르크의 어린 시절>을 중심으로 = Dissonance of Affects - centered on Bruno Dumont’s Jeannette: The Childhood of Joan of Arc

다국어 초록 (Multilingual Abstract)

Since L’il Quinquin (2014), many critics have mentioned Dumont’s change of Dumont’s world. If the previous his world expresses the existential pain of a narcissistic character in an ascetic form, the new change is that it presents a tragicomedy by twisting the conventional narrative of modern cinema. This paper deals with Jeannette: The Childhood of Joan of Arc (2017) in his changed cinematic world since 2014. And this film is interpreted centering on the concept of dissonance of affects.
The paper first examines the meaning of the atheistic landscape in his films through the analysis of Humanity (1999). Second, it examines how Dumont is transforming the figure of Joan of Arc in Charles Péguy’s original work amid the problematics of modern cinema. Through these discussions, it is suggested that Jeannette: The Childhood of Joan of Arc is characterized by the dissonance of affects. These features are interpreted according to Jacques Rancière’s three regimes of identification of art. And the paper reveals that Jeannette: The Childhood of Joan of Arc intentionally borrows an amateur form, and the dissonance resulting from it creates an effect of apathie and nonsense on the cinema audience.