케테 콜비츠의 리얼리즘연구 - 현실참여적 작품과 모성애적 작품의 비교관점에서 = Realism Study of Kathe Kollwitz - In Comparative Point of View with Real Participation and Maternity W ork

다국어 초록 (Multilingual Abstract)

Kathe Kollwitz(1867~1945) has known by -pioneer of Feminism Art and Realism artist. She who stood at the part of laborers sustained strong and heavy work. Her works called back big influence in the world of art. In the late of 19th and the early of 20th Euroup society was on the change time of art history as well as politic and society.
Realism and Naturalism being connected to Romanticism led and Impressionism rose, eventually anticipated Modernism art. After that Cubism, Surrealism and Futurism decorated at the previous part of 20th. When Most of artists dug deeply into these diverse style of art, Kollwitz did not indulge in the experimental style. She was devoted to realistic and critic work. What Kollwitz investigated was Realism. How to materialize is two way. One is a social complaint, the other is maternity. At the first time she tried to portray the reality in miserable life of laborers. After Kollwitz expierienced her son’s death at the Second World War II , poured into maternity work. Kollwitz fronted onto working in the position of intense maternity. She worked in the diverse genres like as painting, woodblock print, sculpture etc. She did not get out of the borderin Realism and Feminism.
At that time, there were what should be in times about changing laborer’s miserable life caused from Capitalism’s evil, and nicessity of Realism rose. However big trend was possessing an art was pursuit of Fine art.
Kollwitz diagnosed Fine art as decadent art. She objected Fine art and came out a pioneer of art movement reflecting reality.
Eventually, Kollwitz portrayed lives of workers in the lovely eyes, and created arctic language reflecting their mind.
Either Kollwitz worked in social participated genre and maternity, she portray common concept. That was the Humanity. Because she had warm love of human, she expressed the social participation work and poured into maternity.
Kollwitz was the real owner of the humanity, that made her have social concern and motherhood.

참고문헌 (Reference)

• 1 카테리네 크라머, "케테 콜비츠" 실천문학사 1991
• 2 조명식, "케테 콜비츠" 도서출판 재원 2005
• 3 케테 콜비츠, "케테 콜비츠" 도서출판 운디네 2004
• 4 민혜숙, "죽음을 영접하는 여인, 케테 콜비츠" 도서출판 재원 1991
• 5 로지카 파커, "여성·미술·이데올로기" 시각과 언어 1995