SCOPUS
KCI우수등재
18세기 朝鮮 文人들의 繪畵蒐集活動과 畵壇
저자
발행기관
학술지명
권호사항
발행연도
2002
작성언어
Korean
주제어
등재정보
SCOPUS,KCI우수등재
자료형태
학술저널
발행기관 URL
수록면
139-185(47쪽)
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소장기관
The trend of collecting and appreciating antique and beautiful artifacts was prevalent amongst the literary men of Seoul-Gyeonggi areas in the 18th century Joseon, and this resulted in the appearance of a lot of individual collectors, They included a wide range of gentlemen from noble families to middle class families who shared a consciousness of literati, Many studies have been conducted about it as they were influential to their contemporary painters as patrons. However, there is no explanation as to how they patronized the painters.
This study traces and presents the collector' s painting collections and examines their collecting methods in order to investigate the relationship between collectors and painters. Based upon it, this paper also examines how the 'great collectors of the 18th century' namely Yi Byeong-yeon (李秉淵), Yi Ha-gon (李夏坤), Kim Gwang-su (金光遂), and Kim Gwang-guk (金光國) patronized the contemporary painters through their collecting activities. This will further the investigation of characters of the collectors as patrons and see their influence on painters and their works in the 18th century in details.
Collectors from the gentry literary men had some aspects in common: they were members of noble families which had established the physical grounds for political, economical and social development since Seonjo (宣祖)' s reign: landowners whose ancestors held posts of high ranking central government officials in the 17th century: elite literary men who were brought up in the environment where they had easier access to the products of Chinese culture. Many of them, however. pursued the recluse life style and gave up successful official careers. They enthusiastically practiced collecting, appreciating and criticizing beautiful artifacts in private sectors such as sarangbang, gentlemen's studies and poetry gatherings. It was considered the ideal path of a literati' s life and was regarded as the elegant way towards valuable friendships. The middle class literary men who took part in the above circles shared the taste of the gentry literary men and eventually identified themselves as the successors of Joseon literati culture. This consequently produced collectors from the class. Kim Gwang-guk was a medical official from the family who practiced medicine for generations and became an outstanding collector whose wealth was accumulated through his career as well as trade activities in China.
The painting collections of the literati collectors in the 18th century mostly consisted of old and modem paintings from Korea and China. However, Japanese and Western paintings were sometimes found as well (see table 1-4). Literati men and painters observed the ample collection of Chinese paintings from Tang to Qing dynasties, and they were attracted to the works of the great masters of Southern School such as Tung Yuan (董源), Mi Fu (米?), Huang Kung-wang (黃公望), Ni Tsan (倪瓚), Shen Chou (沈周) , Wen Cheng-ming (文徵明), and Tung Ch' i-ch' ang (董其昌). It was also possible to enjoy the works of Nanking school, Anhui school. Orthodox school, and Individualist school in the late Ming and early Qing. It is believed that these Chinese paintings played a significant role in the painters' understanding of Chinese literary painting style along with that of all sorts of wood block prints. This at the same time initiated the painters to deal with various subject matter than they did before. On the other hand, Kim Gwang-guk mainly collected Joseon paintings and compiled them into a set of album, Seoknonghwawon (石農畵苑). Although the album has been divided and scattered, it still maintains the systematic form of the three perfections-prosaic writing, calligraphy and painting. This unique, completed form of the album which he intended for suggests that he was a genuine collector and an enlightened conservationist.
Such paintings came into the hands of collectors through either inheritance in the family or purchase or commission in the 18t
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