성찰적 TV 수용의 한계 = 남녀 집단간의 여인천하 해독에 대한 연구

국문 초록 (Abstract)

본 연구는 남녀 시청자들이 TV 드라마 여인천하 텍스트를 어떻게 해독하는지 살펴보았다. 교육정도가 다른 남녀 각각 15명의 응답자를 대상으로 이들이 드라마 속 남녀 권력관계를 해독하는 데 체계적인 차이가 존재하는지를 살펴봄으로서 저항적 해독과 지배적 해독을 둘러싼 논의에 실제 증거를 제시하고자 시도하였다. 인터뷰와 참여관찰 결과 수용자는 텍스트 바깥의 지식이나 경험, 혹은 텍스트 내부의 규칙을 전용해 대안적 의미를 생산하기보다는 지배적 가치관이 내재된 기존의 해석들에 의존해 친숙한 의미들을 재생산하는 경향이 있다는 것을 발견하였다.

다국어 초록 (Multilingual Abstract)

This study examines how male and female audience decode the meanings of “Yo-In Chon- Ha” a popular Korean history drama. By so doing, the study attempts to explore the ideological power of television. This study focused on gender as an important axis of inequal relations of social power. Through the participant observations and interviews with 15 women and 15 men the study examines how the patriarchal ideology embedded in the text is decoded by different gender groups.
Findings revealed that regardless of gender position, the audience read the drama from patriarchal point of view. The respondents felt uncomfortable about relationships in which female characters exert power over male characters. Male respondents employed the strategy of denying the reality of the drama itself, thereby refusing to admit female power. In evaluating the characters, the respondents relied heavily on morality, stereotypical gender roles, which enhanced the dominant world views. When the respondents have unique personal experience, oppositional readings occurred. but those cases were rare. Some respondents who have relatively less discourse resources fail to engage with the discourse of the programme enough to deconstruct or redefine it. This, however, is not a type of oppositional reading but another form of dominant reading in that by refusing to involve with the text, these respondents shape fragmented pictures of the world leaving them with little discourse resources.

목차 (Table of Contents)

• 1. 서론
• 2. 수용자의 성찰적 능력(reflexivity)의 한계
• 3. 연구방법 및 대상
• 4. 분석결과
• 5. 결론
• 참고문헌
• 〈Abstract〉