김주영(金周榮) 소설(小說)에 나타난 이질적(異質的) 타자(他者)로서의 여성(女性)과 (탈(脫))근대성(近代性) -1970年代 소설(小說)을 중심(中心)으로- = The (Post)modernity of Kim Joo-young’s Fiction and Female as Heterogeneous Others -Focus on 1970's novels -

다국어 초록 (Multilingual Abstract)

Kim Joo-young’s novels are based on criticism and the sense of resistance to the secular properties of industrialized society in the 1970s. Kim Joo-young is a writer who actively depicts the story of the villagers’ failure to enter the world of urban people and the growing narrative of the villains against the symbolic order through the techniques of satire and reversal. Kim’s novels have sufficient problem consciousness, but his novels tend to be excluded from the central axis of the modernization discourse in the 1970s.
This paper will reread Kim Joo-young’s novels in the 1970s, focusing on modernity as ‘difference’, not modernity as ‘identity’. Through this, I will redefine the status of Kim Joo-young literature and explore new possibilities inherent in it. To this end, this paper focused on women as heterogeneous others in Kim's novels.
As a result of rethinking Kim’s novels, focusing on women as ‘heterogeneity’ and ‘otherness’ beyond the modern recognition frame of people, democracy, capital, and reason, Kim's novel is not a novel of failure, compassion, and escape, but it is a liberation and floating narrative. Furthermore, we can find the suppressed unconsciousness of ‘mother’ inherent in Kim Joo-young’s writing and confirm the value of Kim Joo-young literature called 'Listen to the voices of others’.