淺析麗·鮮時代漢詩援用中國書畫典故之例 = A Study of the use of calligraphy allusions in Haidong Han poetry

다국어 초록 (Multilingual Abstract)

It is speculated that the history of using Chinese calligraphy and painting allusions in Haedong Han poetry began in the Goryeo Dynasty. The origin of allusions to calligraphy and painting in Han poetry is closely related to the admiration of Su Shi's poetry and prose. What is particularly noteworthy is the use of allusions to Su Shi in the Goryeo Dynasty. Regarding the acceptance of allusions to calligraphy and painting in poetry, Lin Chun is the most representative fact.
The dictionaries of calligraphy and painting that appear in Chinese poetry can be divided into two categories according to their content. The first category is a concrete description of the brushwork, charm, and style of calligraphy and painting. Among them, the wind and rain, the falling flowers and the snow, the flying phoenix and the fengzhu, and the Jingluan Poems such as returning phoenix, tiger crouching and leaping dragon, iron painted silver hook, coral green tree, cloud smoke falling on paper, spring earthworms and autumn snakes, domestic chickens and wild ducks, frightened snakes and flying birds are common calligraphy and painting dictionaries in Haidong Han poetry, and are vividly depicted Through analysis and research, it was found that this type of dictionary has a relatively fixed source, and its source can be summarized as "Li Du Hansu". Li Bai's "Cursive Script Song" had a profound impact on Haidong poetry。Du Fu left behind There are a large number of calligraphy, painting and poems, but the ones that have a profound impact on Haidong Han poetry are "Li Chao's Eight-point Small Seal Song" and "Dan Qing Yin Presented to General Cao Ba". "Shu Gui" originated from "Li Chao's Eight-point Small Seal Song" The viewpoint of "thin and hard" and the controversy of "painting bones and painting flesh" that run through "Dan Qing is presented to General Cao". This kind of criticism of calligraphy and painting that clearly expresses Du Fu's own attitude and views is even more favored by Haidong literati.
Han Yu's "Stone Drum Song" had an important influence on the stone drum poetry of later generations. The structure and content of Haidong's Chinese poems on Shigu, Yu Stele, Zhouwen, and ancient prose were also mostly derived from Han Yu's "Stone Drum Song". The "Luan Xiang Feng Zhu", "Coral Green Tree", and "Golden Rope Iron Rope" derived from it were loved by Haidong literati. However, Haidong literati showed their dissatisfaction with the conclusion derived from "Xizhi Sushu Chengzimei". To express doubt or denial, use it in the opposite direction.