松江文學硏究 : 특히 그이 漢詩賦에 대하여 Especially on his Chiness poetry and some pieces of his Fu(賦) = A Study on the Iiterature of Chung Song-Kang(鄭松江)

다국어 초록 (Multilingual Abstract)

Critics acknowledge that Song-Kang, a literary man in the age Myung (明宗) and Seon (宣祖) during Yi dynasty, not only ranks second to none in talc world of Chinese letters of the day bu thin Ka-Sa(歌辭) is one of the classics of Korean ancient literature. The Song-Kang library containes more than six hundred pieces of his Chinese poetry.
Versed in both a Chinese quatrain arid a metrical poetry, he is more excellent in the former. The tendency of his early works (under fifty years of age) is heroic. refreshing, serene and romantic while that of his later works (over fifty years of age), pathetic, desolate, and exciting. He stemming from Li Bo(李白) and Du Fu(杜甫) poets of Sung Tang (盛唐) dynasties, grew more fascinated with Du Fu in his later yearn. His bacchanalian temper caused him to compose many improvisations, whose poetic diction represented his love for king with whom he was out of favor. The way of using similie "beauty" for king shaws his characteristics.
This seems to indicate that he was influenced by Ky Yans Chuc (屈原楚辭) in Chinese classics.
He wrote many poems on a crane and a cuckoo, meanwhile his love of a plum-flower, a chrysanthemun, and a bamboo led him to make these vegetations his poetical theme and expressed oriental flavour into 7hem. 33 Verses (66 pieces) dedicated to Lee Chung Myun is the longest piece of his poetry and is the best one among cia five-foot lires of old Chinese poem.
Technique of expression is that of metaphor rather than similie. Since he began to write Si-Jo(時調) at 30 gears of age, his only four pieces of Fu laking his cue from Ky Yan are not high quality. Just as his thought tended to Taoistic romanticism, Confucianism from so his poetic style is. Considering the end of his forty years, bacchanalian days, him to have produced many imporvisations. I wish to emphasize that the real vague of his whole work rester on the Chinese poetry. The contents of the essay are:
1. Introduction
2. a. Poetic imagination in the contents of the works.
b. Poetical form and the number of his works.
c. Poetry of love for lord.
d. Verse in immitation of Du Fu.
c. Poetry of animal and vegetation.
f. Poetry of friendship and respected master,
g. Elegy
h. Lyric (reminiscence, mutual love, sadness, impromptu etc.)
i. Improvisation.
j. Last poem.
3. Poetic Style anti critical evaluation of his poetry.
4. Conclusion.

목차 (Table of Contents)

• 一. 序言
• 二. 作品 內容上의 詩精神
• 1. 詩形과 其詩의 篇首
• 2. 思美人詩
• 3. 杜詩次韻詩
• 4. 動植物詩
• 5. 對佳人詩
• 6. 交友 및 恩師와의 唱酬詩
• 7. 挽人詩
• 8. 抒景詩
• 9. 情懷詩(懷古 · 相思 · 哀歎 · 寓興 其他)
• 10. 醉興詩
• 11. 絶筆詩
• 三. 詩風과 其 詩의 價値批判
• 四. 結言