Kinh nghiệm “Việt hóa” kịch kinh điển của H. Ibsen đầu TK XXI ở Hà Nội (Qua hai vở “Hedda Gabler” và “Nhà búp bê” của Nhà hát Kịch Việt Nam và Nhà hát Tuổi Trẻ) = Experiences in "Vietnamizing" of H. Ipsen's Drama in Hanoi in the early 21C

다국어 초록 (Multilingual Abstract)

In the begin of century XX, Nguyen Van Vinh, a Vietnamese young man (year of birth : 1882), stepped to Marseille port, France, to attend first international exhibition. His most impression is Marseille opera-house and his first enjoy to classical French stage. “Lecid” play, night 26/6/1906/, made him amazed. His letter from Marseille (27/6/1906) to writer Pham Duy Ton expressed delight feeling and moreover aspiration to being Western style stage to Vietnamese, why not? This aspiration caused Nguyen Van Vinh in returned home country, to become a free reporter, freely in issuing newspapers and set up publishing house. And his first work for Vietnam drama is to translate a series of classic drama of Moliere into Vietnamese, advertised on Indochina magazine which he was editorin- chief.
On culture, he is the first writer for important cultural gesture “Vietnamizing” impact of Western stage, started by translated drama from French Moliere arts, and he is one of some first Vietnamese aware of “Vietnamizing” is a cultural moving process.
Till the 1920’s of century XX, in Vietnam, Vietnamese script just used fluently in some writers who composed stages, about Vietnamese social matters, by Vietnamese, in Vietnamese script. The first person is Vu Dinh Long, with “poison bowl”. The first person thought about staging is poet The Lu. And then, with first theatrical troupe in Hanoi with amateur actors and actresses. At the time, Vietnamese staging persons at all positions : writing, staging, acting….. all not trained regularly, only “playing” as amateurs. And The Lu put out important manifesto for Vietnam staging: Western drama and Vietnamese drama by Western style must be retold by Vietnamese way.
This is a cultural experience in world classical staging in Vietnam, springup in Vietnam, Hanoi in the 1920’s of the last century, till now it is still an art experience, as the best method to stage foreign drama in Vietnam.
Special in the begin of century XX, when Vietnam stage exchanged and integrated with global stage.
And special in 2006, Stage Publishing House published all drama books included 100 masterpieces in the world, staging and acting classical drama is putting a matter, and becomes needed creation demand of the arts. In that situation, 2 dramas from Ibsen, from 2 theaters: Vietnam Drama Theater and Vietnam Youth Drama Theater are typical of precious experience from traditional culture: telling Ibsen drama in Vietnamese way.
Survey these typical cases, it can withdraw experience of success and fail in staging and acting the world traditional drama in Vietnam, helps for strategy resolutions in dialogue, integrate between Vietnam and the world stages. The best way of talking, integrating is traditional drama staged by Vietnamese way, special for theses performance in all the nights of the world. In that, highlighted is everlasting drama of 2 great writers: Shakespeare and Ibsen. That is core content of this speech, name:

참고문헌 (Reference)

• 1 Nguyễn Thị Minh Thái, "Đối thoại mới với văn chương (tái bản lần 1)" NXB Hội nhà văn, H. 1999
• 2 Đào Duy Anh, "Việt nam văn hóa sử cương" NXB Văn hóa thông tin, H. 2002
• 3 Trương Đăng Dung, "Tác phẩm văn học như là một quá trình" NXB Khoa học Xã Hội, H. 2004
• 4 Đặng Anh Đào, "Tài năng và người thưởng thức" NXB Hội nhà văn, H. 1994
• 5 Nguyễn Thị Minh Thái, "Sân khấu và tôi (tái bản lần 1)" NXB Sân khấu, H. 1999
• 6 Đình Quang, "Phương pháp sân khấu B. Brech" NXB Văn hóa, H. 1983
• 7 Nguyễn Từ Chi, "Góp phần nghiên cứu văn hóa và tộc người" NXB Văn hóa dân tộc-Tạp chí Văn hóa Nghệ thuật. H. 2003