無調音樂 作曲書法과 韓國人의 藝術精神 = A Study on the Creative Composition of the Atonality Music and the Spiritual Art of the Korean

다국어 초록 (Multilingual Abstract)

As a desert is nothing but a useless land in one side, but it is also a valuable land which has lots of underground resources on the other side. Esthetical inside of atonal of atonality disposition has a artistic beauty which belong to different dimension of the spiritual eye(心眼) and spiritual ear(心耳). It is same as 'symmetry of unsymmetry' or 'balance of unbalance', and it also means that the thing cannot be seen as we try to see it(觀而不見) and cannot be heard as we try to hear it(聽而不聞).
All the elements of esthetical beauty is also unified into 'the beauty of Golden Ratio', as everything is reduced to one. This thesis analogizes such esthetical beauty by the fundamental principle of "0.618" (Ex.4) which is based on the studies of the Korean's favour of white light and their creative consciousness, and the variation and order of four season; Spring, Summer, Autumn, and Winter.
Korean likes white color more than any other colors and they have traditional thought that nature is taken as it is. Studies of "0.618" (Ex.4) and 'the beauty of unsymmetry' are also regarded as one of atonality-method which is revived by creative law of God, the Creator.
As the picture is the silent music, the ridges of winding, high and low mountains make a line(curved line) and the line makes a music which is the Korean arts using every live of things. The elements of the plastic space represent the atonality music which is an art of time and the movable calligraphy, that is a series of flowing connected to 'mountain ranges to mountain ranges', 'mind to mind', and 'line to line', tell about the Korean spirit of art.
The progress of all of the universal things changes by antithetical indispensability in nature phenomenon(物極必反). The composition method of the beauty of unsymmetry, and 'the beauty of unbalance' are found more than that of 'the beauty of balance', central idea which is called 'a-b-a' in the atonality music. In case of Ex.5, 7, 8, 9, 10, it is available to the representation of mental images of calligraphy.
As I mention it in my studies, a general problem of most contemporary artists is a spiritual poverty resulted by material richness.
For this reason, this thesis is one of an effort to get over such spiritual poverty, Physical method would be worried to reduce the beauty of pure art according to Taegae's theory principles of the noumenon(理氣). So I concentrate more in this study on the metaphysical side of music, because the physical one decrease the pure artistic beauty.

목차 (Table of Contents)

• I.머리말
• II.無調의 審美的要素
• III.韓國人의 藝術精神
• IV.無調音樂作曲書法 의 例
• V.맺음말