<화산선계록>에 나타난 ‘여주인-시비(侍婢)’의 관계 -시비 설란을 중심으로- = The relation of 'female owners-maid' in Hwasanseongyerok(화산선계록) - Focusing on Seol-lan(설란) -

다국어 초록 (Multilingual Abstract)

The study discussed the relationship between the maid Seol-lan(설란) and the female owners in Hwasanseongyerok(화산선계록). Seol-lan(설란) is Originally Yang Wolhui(양월희)'s maid. She is a spy under the female antagonist, Yeong Ok-gyo(영옥교), by Lee Ok-su(이옥수), Yang Wolhui(양월희)'s aunt-in-law. In this process, The relationship between Seol-lan(설란) and the three female owners, Lee Ok-su(이옥수), Yang Wolhui(양월희) and Yeong Ok-gyo(영옥교), is unique.
When his nephew, Wi Wanchang(위완창), was forced to marry Yeong Ok-gyo(영옥교), Lee Ok-su(이옥수) worries about Yang Wolhui(양월희), the first wife of Wi Wanchang(위완창), and makes Seol-lan(설란) go under Yeong Ok-gyo(영옥교) to carry out as a spy. At this time, Seol-lan(설란) repeatedly pledges of allegiance to Yeong Ok-gyo to gain her trust. It is noteworthy that Seol-lan(설란) still keeps her relationship with the female antagonist, Yeong Ok-gyo(영옥교), until all the crimes of Yeong Ok-gyo(영옥교) were revealed and the conflict was settled and then, she no longer had to maintain a good relationship with Yeong Ok-gyo(영옥교).
The question of this aspect can be found within the relationship between Seol-lan(설란) and the three female owners. Even though Seol-lan(설란) thinks over and over her relationship with her female owners, she finally decides to be loyal to Yang Wolhui(양월희) and betrays Yeong Ok-gyo(영옥교). Afterward, Seol-lan(설란) begs for letting Yeong Ok-gyo(영옥교) off the punishment for the crimes she has done. And she eventually solves all the problems and her agony from the sense of guilt caused by deceiving her. In the end, Seol-lan(설란) is the only maid in Hwasanseongyerok(화산선계록) receiving the direct title of Chung-ui-bu-in(충의부인) directly from the emperor and leaves the epic with honor.
It is not easy to guess the lifes of maids at that time with the only one novel “Hwasanseongyerok(화산선계록)”. However, it is very interesting that maids like Seol-lan(설란) are portrayed as subjective and active people, although it is fragmentary. This is because of the low possibility of writing the fully new story about maids who never be in reality, even if they don’t perfectly reflect the reality of society at that time described in the novel. Here is my purpose to study the aspects and meaning of the maids. I think discussing the value of the existence of maids who are excluded in the narrative will be an indicator of understanding the lifes of the lower class at that time.

참고문헌 (Reference)

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